Ways of making and knowing the material culture of empirical knowledge
Making" and "knowing" have generally been viewed as belonging to different types and orders of knowledge. "Craft" and "making" have been associated with how-to information, oriented to a particular situation or product, often informal and tacit, while "knowing...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
New York City
Bard Graduate Center
2017
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| Ausgabe: | First paperback edition |
| Schriftenreihe: | Cultural histories of the material world / the Bard Graduate Center
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| Online Zugang: | Inhaltsverzeichnis |
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Tag hinzufügen | Zusammenfassung: | Making" and "knowing" have generally been viewed as belonging to different types and orders of knowledge. "Craft" and "making" have been associated with how-to information, oriented to a particular situation or product, often informal and tacit, while "knowing" has been related to theoretical, propositional, and abstract knowledge including natural science. Although craftspeople and artists have worked with natural materials and sometimes have been viewed as experts in the behavior of matter, the notion that making art can constitute a means of knowing nature is a novel one. This book explores the circumstances under which making constituted knowing, and, more specifically, it examines the relationship between making objects and knowing nature in Europe from about 1450 to 1850 |
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| Beschreibung: | "... five days of the conference in London in July 2005 ..." (Seite xv) With a preface to the paperback edition Literaturangaben Frühere Ausgabe: "First published in the United States of America by the University of Michigan Press, Ann Arbor, 2014." |
| Beschreibung: | xvii, 430 Seiten Illustrationen 23 cm |
| ISBN: | 9781941792117 978-1-941792-11-7 1941792111 1-941792-11-1 |