Music in eighteenth-century culture

Theatrical politics and public opera in late eighteenth-century Russia / Elise Bonner -- The editor from Hell : information and misinformation on Chinese music in late eighteenth-century France / Stewart Carter -- Who laughs last? : the dancer in Haydn's concert minuets / Chantal Frankenbach --...

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Körperschaft: Joint Conference of the Society for Eighteenth-Century Music and the Haydn Society of North America (VerfasserIn)
Weitere Verfasser: Morrow, Mary Sue (HerausgeberIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: Ann Arbor Steglein Publishing, Inc. 2016
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Beschreibung
Zusammenfassung:Theatrical politics and public opera in late eighteenth-century Russia / Elise Bonner -- The editor from Hell : information and misinformation on Chinese music in late eighteenth-century France / Stewart Carter -- Who laughs last? : the dancer in Haydn's concert minuets / Chantal Frankenbach -- An answered prayer but an unlikely oratorio : music for the birth of a Portuguese princess / Danielle M. Kuntz -- Embracing fashionable taste : evidence of stylistic evolution in the symphonies of William Herschel (1738-1822) / Sterling E. Murray -- Performance history of Georg Philipp Telemann's Musicalisches Lob Gottes (Nuremburg, 1742-1744) / Nicholas E. Taylor -- Defining the self : Carl Philipp Emanuel Bach's autobiography as an attempt at self-fashioning in the middle of the Eighteenth century / Markus Rathey -- Finding Eurydice's voice : staging Gluck's Orfeo ed Euridice in London, Munich, and Berlin / Eric Schneeman
Beschreibung:Selected papers from the joint conference of the Society for Eighteenth-Century Music and the Haydn Society of North America at Moravian College, Bethlehem, PA, 27 February-2 March 2014
Beschreibung:xiii, 206 Seiten
Illustrationen, Notenbeispiele
23 cm
ISBN:9780998221311
978-0-9982213-1-1