Continuity and crisis in German cinema, 1928-1936
Introduction / Barbara Hales, Mihaela Petrescu, and Valerie Weinstein -- Part 1. Politics -- "Timid heresies": Werner Hochbaum's Razzia in St. Pauli (1932) / Christian Rogowski -- Film as pedagogy in late Weimar and early Nazi cinema: the role of the street in mobilizing the Spectator...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Rochester, New York
Camden House
2016
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| Schriftenreihe: | Screen cultures: German film and the visual
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| Schlagworte: | |
| Online Zugang: | Inhaltsverzeichnis |
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Tag hinzufügen | Zusammenfassung: | Introduction / Barbara Hales, Mihaela Petrescu, and Valerie Weinstein -- Part 1. Politics -- "Timid heresies": Werner Hochbaum's Razzia in St. Pauli (1932) / Christian Rogowski -- Film as pedagogy in late Weimar and early Nazi cinema: the role of the street in mobilizing the Spectator / Bastian Heinsohn -- Part 2. The economy -- "A fairy tale for grown-ups": financial and cinematic crises in Die Koffer des Herrn O.F. (1931) / Paul Flaig -- "Denn Gold ist Gluck und Fluch dieser Welt": Examining the trope of "Gold" in Gold (1934) and Der Kaiser von Kalifornien (1936) / Owen Lyons -- Part 3. Concepts of race and ethnicity -- Degenerate disease and the doctors of death: racial hygiene film as propaganda in Weimar and Early Nazi Germany / Barbara Hales -- "White Jews" and dark continents: capitalist critique and its racial undercurrents in Detlef Sierck's April! April! (1935) / Valerie Weinstein -- Part 4. Genre cinema -- The Zigeunerdrama reloaded: Leni Riefenstahl's Fantasy gypsies and Sacrificial others / Anjeana Hans -- Regaining mobility: the Aviator in Weimar mountain films / Wilfried Wilms -- Part 5. Making cinema stars -- Brigitte Helm and Germany's star system in the 1920s and 1930s / Mihaela Petrescu -- Foreign attractions: Czech stars and ethnic masquerade / Kevin B. Johnson -- Part 6. Film Technologies -- Objects in Motion: Hans Richter's Vormittagsspuk (1928) and the crisis of avant- garde film / Brook Henkel -- Seeing crisis in Harry Piel's Ein unsichtbarer geht durch die stadt (1933) / Kalani Michell -- Part 7. German-international film relations -- Playing the European market: Marcel L'Herbier's L'Argent (1928), Ufa, and German-French film relations / Margrit Frolich -- A serious man? Ernst Lubitsch's anti-war film The Man I Killed (a.k.a. Broken Lullaby, USA 1932) / Richard McCormick |
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| Beschreibung: | Includes bibliographical references and index.- Aus dem Vorwort: This volume arose out of the 2012 German Film Institute seminar "The Cinema of Crisis, German Film 1928-1936" held at the University of Michigan |
| Beschreibung: | vi, 333 Seiten Illustrationen 24 cm |
| ISBN: | 9781571139351 978-1-57113-935-1 1571139354 1-57113-935-4 |