Ink art past as present in contemporary China ; [this catalogue is published in conjunction with Ink Art : Past as Present in Contemporary China, on view at The Metropolitan Museum of Art, New York, from December 11, 2013, through April 6, 2014]
"Featuring 70 works in various media--paintings, calligraphy, photographs, woodblock prints, video, and sculpture--that were created during the past three decades, Ink Art: Past as Present in Contemporary China will demonstrate how China's ancient pattern of seeking cultural renewal throu...
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Format: | UnknownFormat |
Sprache: | eng |
Veröffentlicht: |
New Haven, Conn. u.a.
Yale Univ. Press u.a.
2013
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Ausgabe: | 1. print. |
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Zusammenfassung: | "Featuring 70 works in various media--paintings, calligraphy, photographs, woodblock prints, video, and sculpture--that were created during the past three decades, Ink Art: Past as Present in Contemporary China will demonstrate how China's ancient pattern of seeking cultural renewal through the reinterpretation of past models remains a viable creative path. Although all of the artists have transformed their sources through new modes of expression, visitors will recognize thematic, aesthetic, or technical attributes in their creations that have meaningful links to China's artistic past. The exhibition will be organized thematically into four parts and will include such highlights as Xu Bing's dramatic Book from the Sky (ca. 1988), an installation that will fill an entire gallery; Family Tree (2000), a set of vivid photographs documenting a performance by Zhang Huan in which his facial features--and his identity--are obscured gradually by physiognomic texts that are inscribed directly onto his face; and Map of China (2006) by Ai Weiwei, which is constructed entirely of wood salvaged from demolished Qing dynasty temples." -- |
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Beschreibung: | Includes bibliographical references and index |
Beschreibung: | 206 S. Ill., Kt. |
ISBN: | 9780300197037 978-0-300-19703-7 9781588395047 978-1-58839-504-7 |