No innocent bystanders performance art and audience
Introduction: reimagining the audience -- Performance after minimalism: fantasies of public and private -- Acconci: "Public space is wishful thinking" -- Burden: "I'd set it up by telling a bunch of people, and that would make it -- Happen" -- Abramovi?: "You can stop....
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Hanover, New Hampshire
Dartmouth College Press
2012
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| Schriftenreihe: | Interfaces: studies in visual culture
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| Schlagworte: | |
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Tag hinzufügen | Zusammenfassung: | Introduction: reimagining the audience -- Performance after minimalism: fantasies of public and private -- Acconci: "Public space is wishful thinking" -- Burden: "I'd set it up by telling a bunch of people, and that would make it -- Happen" -- Abramovi?: "You can stop. you don't have to do this." -- Hsieh: "For me, the audience is secondary. however, without them my performances couldn't exist". Introduction: reimagining the audience -- Performance after minimalism: fantasies of public and private -- Acconci: "Public space is wishful thinking" -- Burden: "I'd set it up by telling a bunch of people, and that would make it -- Happen" -- Abramovi?: "You can stop. you don't have to do this." -- Hsieh: "For me, the audience is secondary. however, without them my performances couldn't exist |
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| Beschreibung: | Literaturverzeichnis: Seiten 183-193 |
| Beschreibung: | 205 Seiten Illustrationen 24 cm |
| ISBN: | 9781611683356 978-1-61168-335-6 9781611683349 978-1-61168-334-9 |