The African American roots of modernism from Reconstruction to the Harlem Renaissance

Introduction: new forms and captive knights in the age of Jim Crow and mechanical reproduction -- Dueling banjos: African American dualism and strategies for Black representation at the turn of the century -- Remembering "those noble sons of ham": poetry, soldiers, and citizens at the end...

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1. Verfasser: Smethurst, James Edward (VerfasserIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: Chapel Hill, NC University of North Carolina Press 2011
Schriftenreihe:The John Hope Franklin series in African American history and culture
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Zusammenfassung:Introduction: new forms and captive knights in the age of Jim Crow and mechanical reproduction -- Dueling banjos: African American dualism and strategies for Black representation at the turn of the century -- Remembering "those noble sons of ham": poetry, soldiers, and citizens at the end of reconstruction -- The Black city: the early Jim Crow migration narrative and the new territory of race -- Somebody else's civilization: African American writers, bohemia, and the new poetry -- A familiar and warm relationship: race, sexual freedom, and U.S. literary modernism.
Introduction: new forms and captive knights in the age of Jim Crow and mechanical reproduction -- Dueling banjos: African American dualism and strategies for Black representation at the turn of the century -- Remembering "those noble sons of ham": poetry, soldiers, and citizens at the end of reconstruction -- The Black city: the early Jim Crow migration narrative and the new territory of race -- Somebody else's civilization: African American writers, bohemia, and the new poetry -- A familiar and warm relationship: race, sexual freedom, and U.S. literary modernism
Beschreibung:Includes bibliographical references and index
Beschreibung:X, 252 S.
24 cm
ISBN:0807871850
0-8078-7185-0
0807834637
0-8078-3463-7
9780807834633
978-0-8078-3463-3
9780807871850
978-0-8078-7185-0