Seeing through music gender and modernism in classic Hollywood film scores
I: Music into film: critical cross-fadesMen's musicology/women's films: meanings of late Romanticism -- Exploitation and seduction: converging responses to popular opera and film -- Into the mists...Subjective realms (and the undoing of men?): film's critique of music -- II: Watching...
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Format: | UnknownFormat |
Sprache: | eng |
Veröffentlicht: |
New York u.a.
Oxford University Press
2011
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Schriftenreihe: | The Oxford music / media series
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Schlagworte: | |
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Zusammenfassung: | I: Music into film: critical cross-fadesMen's musicology/women's films: meanings of late Romanticism -- Exploitation and seduction: converging responses to popular opera and film -- Into the mists...Subjective realms (and the undoing of men?): film's critique of music -- II: Watching symphonies: cautionary tales -- Symphonic narratives (and promiscuous pleasure): film music and changing perceptions of the symphony in the nineteenth century -- Return of the undone woman: Hollywood's music and the critical history of late Romanticism -- Modernism and 'the Image of the man': Hollywood interprets musical modernism. I: Music into film: critical cross-fades -- Men's musicology/women's films: meanings of late Romanticism -- Exploitation and seduction: converging responses to popular opera and film -- Into the mists...Subjective realms (and the undoing of men?): film's critique of music -- II: Watching symphonies: cautionary tales -- Symphonic narratives (and promiscuous pleasure): film music and changing perceptions of the symphony in the nineteenth century -- Return of the undone woman: Hollywood's music and the critical history of late Romanticism -- Modernism and 'the Image of the man': Hollywood interprets musical modernism. |
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Beschreibung: | Includes bibliographical references and index Hier auch später erschienene, unveränderte Nachdrucke |
Beschreibung: | 191 S. Ill. |
ISBN: | 9780190246549 978-0-19-024654-9 9780195383454 978-0-19-538345-4 |