Objects as history in twentieth-century German art Beckmann to Beuys
Introduction. Art objects as history -- Titanic sinks, departure arrives. Max Beckmann's melodramatic role in the fall of history painting and rise of the historical object -- Lost and found Dada objects and subjects. George Grosz, Hannah Höch, and German Jewish identity -- Objects of interpret...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Berkeley, Calif. u.a.
Univ. of California Press
2010
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| Online Zugang: | Inhaltsverzeichnis |
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Tag hinzufügen | Zusammenfassung: | Introduction. Art objects as history -- Titanic sinks, departure arrives. Max Beckmann's melodramatic role in the fall of history painting and rise of the historical object -- Lost and found Dada objects and subjects. George Grosz, Hannah Höch, and German Jewish identity -- Objects of interpretation. Grosz's Germany: a winter's tale -- Absender: ich. Willi Baumeister's anti-Nazi works as objects of (s)exchange -- Sculpture and crime. Arno Breker -- From muscle men to fatty remains. Joseph Beuys's sculptural objects beyond objecthood -- Conclusion. Beyond Beuys: Gerhard Richter's choice. |
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| Beschreibung: | Literaturverz. S. 255 - 268 und Index |
| Beschreibung: | XI, 286 S. Ill. 26 cm |
| ISBN: | 9780520260429 978-0-520-26042-9 0520260422 0-520-26042-2 |