Von der Semantik der textlichen und musikalischen Symmetrie der Bachkantate Gottes Zeit ist die allerbeste Zeit (BWV 106)
This article attempts to explain the semantic structure and genesis of the earliest Bach cantatas (primarily BWV 106, but also BWV 4 and 131). The collection of texts and the musical structure, especially in "Actus tragicus" (BWV 106), show a precise axial symmetry; the similar schemata of...
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| Veröffentlicht in: | Musik & Ästhetik |
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| Format: | UnknownFormat |
| Sprache: | ger |
| Veröffentlicht: |
2010
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Tag hinzufügen | Zusammenfassung: | This article attempts to explain the semantic structure and genesis of the earliest Bach cantatas (primarily BWV 106, but also BWV 4 and 131). The collection of texts and the musical structure, especially in "Actus tragicus" (BWV 106), show a precise axial symmetry; the similar schemata of "outer" shaping in the cantata do not coincide with the "inner" logic of the tonal fabric, however. Because of this formal profile, the article seeks to interpret the semantic structure of the cantata.(aus BMS-Online) |
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| ISSN: | 1432-9425 |