Dismantling the dream factory gender, German cinema, and the postwar quest for a new film language
Relegitimating cinema: female spectators and the problem of representation. How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
New York u.a.
Berghahn Books
2009
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| Schriftenreihe: | Film Europa
9 |
| Schlagworte: | |
| Online Zugang: | Inhaltsverzeichnis |
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Tag hinzufügen | Zusammenfassung: | Relegitimating cinema: female spectators and the problem of representation. How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Kütner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema. "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Kütner's "anti-tearjerker" engagement in Zurich (1957) -- Sound and spectacle in the wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture. melissa.spinelliberghahnbooks.com; bc: katherine.elgart@berghahnbooks.com Relegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture |
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| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIII, 304 S. Ill. 24 cm |
| ISBN: | 9781845456054 978-1-84545-605-4 9780857456175 978-0-85745-617-5 |