Art matters Hemingway, craft, and the creation of the modern short story
Historical genre, dispassionate presentation, and authorial judgment : the legacy of Maupassant and ChekhovMinimizing words and maximizing meaning : suggestiveness, concision, and omission -- Depicting consciousness in modern fiction : expressionism and impressionism from Crane to Cather and Hemingw...
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| Format: | UnknownFormat |
| Sprache: | eng |
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Baton Rouge
Louisiana State University Press
c 2010
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Tag hinzufügen | Zusammenfassung: | Historical genre, dispassionate presentation, and authorial judgment : the legacy of Maupassant and ChekhovMinimizing words and maximizing meaning : suggestiveness, concision, and omission -- Depicting consciousness in modern fiction : expressionism and impressionism from Crane to Cather and Hemingway -- Who sees and who speaks : Hemingway's art of focalization -- Repetition and juxtaposition : from Stein to Hemingway -- Openings, endings, and the disjunctive bump -- The normative center, the illustrative stamp, and the Joycean epiphany -- The new art of constructive dialogue : from James to Hemingway -- Plot, characterization, and setting. Historical genre, dispassionate presentation, and authorial judgment : the legacy of Maupassant and Chekhov -- Minimizing words and maximizing meaning : suggestiveness, concision, and omission -- Depicting consciousness in modern fiction : expressionism and impressionism from Crane to Cather and Hemingway -- Who sees and who speaks : Hemingway's art of focalization -- Repetition and juxtaposition : from Stein to Hemingway -- Openings, endings, and the disjunctive bump -- The normative center, the illustrative stamp, and the Joycean epiphany -- The new art of constructive dialogue : from James to Hemingway -- Plot, characterization, and setting. Historical genre, dispassionate presentation, and authorial judgment : the legacy of Maupassant and Chekhov -- Minimizing words and maximizing meaning : suggestiveness, concision, and omission -- Depicting consciousness in modern fiction : expressionism and impressionism from Crane to Cather and Hemingway -- Who sees and who speaks : Hemingway's art of focalization -- Repetition and juxtaposition : from Stein to Hemingway -- Openings, endings, and the disjunctive bump -- The normative center, the illustrative stamp, and the Joycean epiphany -- The new art of constructive dialogue : from James to Hemingway -- Plot, characterization, and setting |
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| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVIII, 273 S. |
| ISBN: | 9780807135501 978-0-8071-3550-1 |