The canzone villanesca alla napolitana social, cultural and historical contexts

The debut of the canzone villanesca alla napolitana -- Musical and metrical forms of the canzone villanesca and villanella alla napolitana -- Madrigali a tre et arie napolitane: a typographical and repertorial study -- The Prince of Salerno and the dynamics of oral transmission in songs of political...

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Bibliographische Detailangaben
1. Verfasser: Cardamone, Donna G. (VerfasserIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: Aldershot, Hampshire u.a. Ashgate Variorum 2008
Schriftenreihe:Variorum collected studies series 901
Schlagworte:
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Beschreibung
Zusammenfassung:The debut of the canzone villanesca alla napolitana -- Musical and metrical forms of the canzone villanesca and villanella alla napolitana -- Madrigali a tre et arie napolitane: a typographical and repertorial study -- The Prince of Salerno and the dynamics of oral transmission in songs of political exile -- Orlando di Lasso and pro-French factions in Rome -- A colorful bouquet of arie napolitane -- The salon as marketplace in the 1550s: patrons and collectors of Lasso's secular music -- Giulio Bonagiunta: a composer with a progressive attitude -- Orlando di Lasso et al.: a new reading of the Roman Villanella book (1555) -- Erotic jest and gesture in Roman anthologies of Neapolitan dialect songs
Beschreibung:Includes bibliographical references
Beschreibung:Getr. Zählung
Ill., Notenbeisp
23 cm
ISBN:9780754659532
978-0-7546-5953-2