The animation bible a practical guide to the art of animating, from Flipbooks to Flash
Concept, medium, and styleStorytelling strategies -- Applications I: hearing sound -- Pre-production -- Production and post-production -- Applications II: timing action -- Early motion devices -- Applications III: thaumatrope -- Direct filmmaking: practice and presentation -- Direct filmmaking: visi...
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Format: | UnknownFormat |
Sprache: | eng |
Veröffentlicht: |
New York
Abrams
2008
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Schlagworte: | |
Online Zugang: | Inhaltsverzeichnis Verlagsangaben Autorenbiografie |
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Zusammenfassung: | Concept, medium, and styleStorytelling strategies -- Applications I: hearing sound -- Pre-production -- Production and post-production -- Applications II: timing action -- Early motion devices -- Applications III: thaumatrope -- Direct filmmaking: practice and presentation -- Direct filmmaking: vision, sound, and collective experience -- Applications IV: direct motion -- Graphics loopology -- Mixed media and drawing -- Water- and oil-based media -- Applications V: texture book -- Stop-motion animation: a survey of techniques -- Animation in real world contexts -- Applications VI: replacement -- Animation and lip sync -- Digital media and computer animation -- Digital visions -- Applications VII: playing with Flash. Concept, medium, and style -- Storytelling strategies -- Applications I: hearing sound -- Pre-production -- Production and post-production -- Applications II: timing action -- Early motion devices -- Applications III: thaumatrope -- Direct filmmaking: practice and presentation -- Direct filmmaking: vision, sound, and collective experience -- Applications IV: direct motion -- Graphics loopology -- Mixed media and drawing -- Water- and oil-based media -- Applications V: texture book -- Stop-motion animation: a survey of techniques -- Animation in real world contexts -- Applications VI: replacement -- Animation and lip sync -- Digital media and computer animation -- Digital visions -- Applications VII: playing with Flash. Concept, medium, and style -- Storytelling strategies -- Applications I: hearing sound -- Pre-production -- Production and post-production -- Applications II: timing action -- Early motion devices -- Applications III: thaumatrope -- Direct filmmaking: practice and presentation -- Direct filmmaking: vision, sound, and collective experience -- Applications IV: direct motion -- Graphics loopology -- Mixed media and drawing -- Water- and oil-based media -- Applications V: texture book -- Stop-motion animation: a survey of techniques -- Animation in real world contexts -- Applications VI: replacement -- Animation and lip sync -- Digital media and computer animation -- Digital visions -- Applications VII: playing with Flash |
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Beschreibung: | 340 Seiten Ill. |
ISBN: | 9780810995451 978-0-8109-9545-1 |