Early modern tragedy, gender and performance, 1984 - 2000 the destined livery
Introduction: the destined livery?: tragedy, performance, subject and spectator -- Part I. Realism and reinscription: What we are, but not what we may be: the feminist Ophelia and the reproduction of gender; An actor in the main of all: individual and relational selves in The Duchess of Malfi; The n...
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| 1. Verfasser: | |
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Basingstoke u.a.
Palgrave Macmillan
2007
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| Ausgabe: | 1. publ. |
| Schlagworte: |
English drama (Tragedy)
> History and criticism
> English drama
> Gender identity in the theater
> Sex role in the theater
> Feminism and theater
> History
> Theater
> Sex role in motion pictures
> Gender identity in motion pictures
> Frühneuenglisch
> Drama
> Geschlechterrolle
> Inszenierung
> Geschichte 1984-2000
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| Online Zugang: | Inhaltsverzeichnis Cover Table of contents only |
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| Zusammenfassung: | Introduction: the destined livery?: tragedy, performance, subject and spectator -- Part I. Realism and reinscription: What we are, but not what we may be: the feminist Ophelia and the reproduction of gender; An actor in the main of all: individual and relational selves in The Duchess of Malfi; The natural father and the imaginary daughter: patriarchy as realism and representation in Titus -- Part II. Performance and performativity: "Let me forget myself": what a queen is good for in Edward II; Death and the married maiden: gender reproduction as destruction in The broken heart ; Tricked like a bride: a new traffic in A woman killed with kindness |
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| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XII, 237 S. Ill 22cm |
| ISBN: | 140399479X 1-4039-9479-X 9781403994790 978-1-4039-9479-0 |