Hearing Bach's Passions

Performing forces and their significance. Vocal forces in Bach's Passions ; Singers and roles in Bach's Passions -- Passions in performance. The double chorus in the St. Matthew Passion BWV 244 ; Which St. John Passion BWV 245? ; A St. Mark Passion makes the rounds -- Phantom Passions. Par...

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1. Verfasser: Melamed, Daniel R. (VerfasserIn)
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Sprache:eng
Veröffentlicht: Oxford u.a. Oxford Univ. Press 2005
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Zusammenfassung:Performing forces and their significance. Vocal forces in Bach's Passions ; Singers and roles in Bach's Passions -- Passions in performance. The double chorus in the St. Matthew Passion BWV 244 ; Which St. John Passion BWV 245? ; A St. Mark Passion makes the rounds -- Phantom Passions. Parody and reconstruction : the St. Mark Passion BWV 247 ; Bach/not Bach : the anonymous St. Luke Passion BWV 246
Performing forces and their significance. Vocal forces in Bach's Passions ; Singers and roles in Bach's Passions -- Passions in performance. The double chorus in the St. Matthew Passion BWV 244 ; Which St. John Passion BWV 245? ; A St. Mark Passion makes the rounds -- Phantom Passions. Parody and reconstruction : the St. Mark Passion BWV 247 ; Bach/not Bach : the anonymous St. Luke Passion BWV 246
Beschreibung:Includes bibliographical references (p. 163-171) and index
Beschreibung:XI, 178 S
22 cm
ISBN:0195169336
0-19-516933-6
9780195169331
978-0-19-516933-1