Spectacular Shakespeare critical theory and popular cinema
Machine generated contents note: Part I: Media Imperialism:Appropriating Culture, Race, and Authority -- All Our Othellos: Black Monsters and White Masks on the American Screen -- MARGUERITE HAILEY RIPPY -- "How very like the home life of our own dear queen": -- Ian McKellen's Richar...
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| Weitere Verfasser: | , |
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Madison, NJ u.a.
Fairleigh Dickinson Univ. Press
c2002
London Associated University Presses c2002 |
| Schlagworte: | |
| Online Zugang: | Inhaltsverzeichnis |
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Tag hinzufügen | Zusammenfassung: | Machine generated contents note: Part I: Media Imperialism:Appropriating Culture, Race, and Authority -- All Our Othellos: Black Monsters and White Masks on the American Screen -- MARGUERITE HAILEY RIPPY -- "How very like the home life of our own dear queen": -- Ian McKellen's Richard III -- LISA HOPKINS -- (Un)doing the Book "without Verona walls": A View from the Receiving End of Baz Luhrmann's William Shakespeare's Romeo + Juliet -- ALFREDO MICHEL MODENESSI -- Part II: Reframing Romance: Sex, Love, and Subjectivity Cutting up Characters: The Erotic Politics of Trevor Nunn's Twelfth Night -- LAURIE OSBORNE -- The Marriage of Shakespeare and Hollywood: Kenneth Branagh's Much Ado about Nothing -- SAMUEL CROWL -- Shakespeare in Love: Romancing the Author, Mastering the Body -- COURTNEY LEHMANN -- Part III: The Politics of the Popular: From Class to Classroom "Art thou base, common, and popular?": The Cultural Politics of Kenneth Branagh's Hamlet -- DOUGLAS LANIER -- From the Cinema to the Classroom: Hollywood Teaches Hamlet -- ELIZABETH A. DEITCHMAN -- The Film's the Thing: Using Shakespearean Film in the Classroom -- ANNALISA CASTALDO -- Afterword: Te(e)n Things I Hate about Girlene Shakesploitation Flicks in the Late 1990s, or Not-So-Fast Times at Shakespeare High -- RICHARD BURT. Machine generated contents note: Part I: Media Imperialism: -- Appropriating Culture, Race, and Authority -- All Our Othellos: Black Monsters and White Masks on the American Screen -- MARGUERITE HAILEY RIPPY -- "How very like the home life of our own dear queen": -- Ian McKellen's Richard III -- LISA HOPKINS -- (Un)doing the Book "without Verona walls": A View from the Receiving End of Baz Luhrmann's William Shakespeare's Romeo + Juliet -- ALFREDO MICHEL MODENESSI -- Part II: Reframing Romance: Sex, Love, and Subjectivity Cutting up Characters: The Erotic Politics of Trevor Nunn's Twelfth Night -- LAURIE OSBORNE -- The Marriage of Shakespeare and Hollywood: Kenneth Branagh's Much Ado about Nothing -- SAMUEL CROWL -- Shakespeare in Love: Romancing the Author, Mastering the Body -- COURTNEY LEHMANN -- Part III: The Politics of the Popular: From Class to Classroom "Art thou base, common, and popular?": The Cultural Politics of Kenneth Branagh's Hamlet -- DOUGLAS LANIER -- From the Cinema to the Classroom: Hollywood Teaches Hamlet -- ELIZABETH A. DEITCHMAN -- The Film's the Thing: Using Shakespearean Film in the Classroom -- ANNALISA CASTALDO -- Afterword: Te(e)n Things I Hate about Girlene Shakesploitation Flicks in the Late 1990s, or Not-So-Fast Times at Shakespeare High -- RICHARD BURT. |
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| Beschreibung: | Includes bibliographical references (S.231-232) and index |
| Beschreibung: | 243 S 24 cm |
| ISBN: | 0838639100 0-8386-3910-0 |