Realism, naturalism, and symbolism modes of thought and expression in Europe, 1848 - 1914
I. Realism
Gespeichert in:
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
London u.a.
Macmillan
1968
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| Schriftenreihe: | Documentary history of western civilization
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| Schlagworte: | |
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Tag hinzufügen | Zusammenfassung: | I. Realism 1. The disenchantment of 1848. Alexander Herzen, "From the other shore" (1849) -- 2. The pessimistic view. Arthur Schopenhauer, "Government" (1851) -- 3. Science, the new god. (a) Ernest Renan, "The future of science" (1848-49), (b) Emil du Bois-Reymond, "Natural science and the history of culture" (1878) -- 4. The bourgeois world. (a) WalterBagehot, "The English constitution" (1867), (b)Charles Baudelaire, "Intimate journal" (1851), (c) John Ruskin, "The study of architecture in our schools" (1865) -- 5. The realism of Flaubert. Baudelaire, "Madame Bovary" (1857) -- 6. Optimistic realism. Robert Browning, "Frau Lippo Lippi" (1855) -- 7. Russian realism. Fyodor Dostoyevsky, "The devils" (1871) -- 8. Social realism. Edmond and Jules Goncourt, preface to "Germinie Lacerteux" (1864) -- 9. Social realism and socialist realism. (a) Edmont Goncourt, "Journal" (1870-71), (b) Karl Marc, "The civil war in france" (1871) II. Naturalism 10. The continuing march of science. David Masson, "Recent British philosophy" (1867) -- 11. The book of despaire. Winwood Reade, "The outcasts" (1875) -- 12. Life in the raw. Émile Zola, "Germinal" (1885) -- 13. The natural history of morality. Friedrich Nietzsche, "The genealogy of morals" (1887) -- 14. Naturalism and moralism. George Bernard Shaw, "The quintessence of Ibsenism" (1891) -- 15. Painting: The impressionists. Èmile Zola, "Naturalism in the salon" (1880) -- 16. A critique of naturalism. Nietzsche, "Human, all too human" (1878) -- 17. Human nature in politics. Graham Wallas, "Human nature in politics" (1908) -- 18. The natural history of the soul. Sigmund Freud, "The origin and development of psychoanalysis" (1910) III. Symbolism 19. The poet as seer. (a) Arthur Rimbaud, Letter to Paul Demeny (1871); "The drunken boat" (1871), (b) Charles Baudelaire. Two poems from "Les fleurs du mal", (c) Paul Verlaine, "La lune blanche" (1870) -- 20. The mystery of poetry. (a) Stéphane Mallarmé, "Art for all" (1862), (b)Stéphane Mallarmé, "Hérodiade" (1887) -- 21. A critique of symbolism. Leo Tolstoy, "What is art?" (1897) -- 22. Against the grain. Joris K. Huysmans, "Against the grain" (1884) -- 23. The aesthetic ideal. Walter Pater, Conclusion to "The renaissance" (1873, 1888) -- 24. The decadence. Holbrook Jackson, "The eighteen nineties" (1913) -- 25. Some Wilde epigrams. Oscar Wilde (1890-1895) -- 26. The influence of Richard Wagner. (a) Baudelaire, "Richard Wagner and Tannhäuser" (1869), (b) Max Nordau, "Degeneration" (1895) -- 27. Just before the war. (a) Nietzsche, "The joyful wisdom" (1887), (b) Gabriele d'Annunzio, "The triumph of death" (1896), (c) A. E. Housman, "A Shropshire lad" (1896), (d) Charles Péguy, "Clio" (1910), (e) Rupert Brooke, "The busy heart" (1913) |
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| Beschreibung: | XXXVI, 296 S |