Cannibalizing the canon Dada techniques in East Central Europe

"This rich, in-depth exploration of Dada's roots in East-Central Europe is a vital addition to existing research on Dada and the avant-garde. Through deeply researched case studies and employing novel theoretical approaches, the volume rewrites the history of Dada as a story of cultural an...

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Weitere Verfasser: Botar, Oliver A. I. (HerausgeberIn), Denischenko, Irina (HerausgeberIn), Dobó, Gábor (HerausgeberIn), Szeredi, Merse Pál (HerausgeberIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: Leiden, Boston Brill 2024
Schriftenreihe:Avant-Garde critical studies volume 42
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Zusammenfassung:"This rich, in-depth exploration of Dada's roots in East-Central Europe is a vital addition to existing research on Dada and the avant-garde. Through deeply researched case studies and employing novel theoretical approaches, the volume rewrites the history of Dada as a story of cultural and political hybridity, border-crossings, transitions, and transgressions, across political, class and gender lines. Dismantling prevailing notions of Dada as a "Western" movement, the contributors to this volume present East-Central Europe as the locus of Dada activity and techniques. The articles explore how artists from the region pre-figured Dada as well as actively "cannibalized", that is, reabsorbed and further hybridized, a range of avant-garde techniques, thus challenging "Western" cultural hegemony"--
Beschreibung:XXIX, 633 Seiten
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ISBN:9789004526730
978-90-04-52673-0