Remaking the readymade Duchamp, Man Ray and the conundrum of the replica
Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. 'Remaking the Readymade' reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication o...
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| Körperschaft: | |
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
London, New York
Routledge, Taylor & Francis Group
2020
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| Ausgabe: | First issued in paperback |
| Schriftenreihe: | Studies in surrealism
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| Schlagworte: |
Duchamp, Marcel
> Man Ray
> Schwarz, Arturo
> Modernism (Art)
> Surrealism
> Imitation in art
> Mimesis in art
> Art, Modern
> Art
> Philosophy
> Ray, Man
> Originalität
> Authentizität
> Kopie
> Replik
> Ready-made
> Galleria Schwarz
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Tag hinzufügen | Zusammenfassung: | Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. 'Remaking the Readymade' reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. 0Launched at the centenary of Duchamp's Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray' initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. 'Remaking the Readymade' reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. 0Launched at the centenary of Duchamp's Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray' initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art |
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| Beschreibung: | Literaturverzeichnis: Seite 307-341 |
| Beschreibung: | xiii, 354 Seiten Illustrationen, Diagramme |
| ISBN: | 9781472478160 978-1-4724-7816-0 9780367516161 978-0-367-51616-1 |