Vocabularium
"The exhibition 'Vocabularium' focuses on 'collecting reality'. In their own way, these artists translate their perception of shapes, objects and patterns into a specific medium that is subject to a thorough investigation. Works of art sprout up like words in an endless chai...
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | , , |
| Format: | UnknownFormat |
| Sprache: | dut |
| Veröffentlicht: |
Machelen-aan-de-Leie
Roger Raveel Museum
2022
|
| Schlagworte: | |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Tag hinzufügen | Zusammenfassung: | "The exhibition 'Vocabularium' focuses on 'collecting reality'. In their own way, these artists translate their perception of shapes, objects and patterns into a specific medium that is subject to a thorough investigation. Works of art sprout up like words in an endless chain of signifiers and associations, a lexicon of personal and archetypal references. Vocabularium is conceived as a combination of three solo presentations that are interwoven into a melodious ensemble. In his work, Kasper Andreasen (1979) tries to make abstract notions such as time and space tangible. In his small panel paintings, he investigates the texture and writing of paint through compositions that are sometimes abstract yet often echo landscapes and urban structures. Andreasen registers and catalogues his many travels by collecting tickets, clippings, packaging material, notes and printed ephemera into sculpture-like books. He also recovers, processes and translates maps and scientific illustrations into drawings. For the creation of his sculptures, Raphaël Buedts (1946-2009) chooses the simplest means: wooden blocks and planks, branches, later also plaster and bronze. Buedts' working method is direct, sober and unpretentious. The artist stacks and builds following the basic principles of physics: gravity, mass, volume versus void. The colours and structures as well as light and shadows of the landscape inspire him to composed and at the same time poetically 'shaky' compositions; objects that bear a clear reference to furniture from an intimate, domestic environment. Sine Van Menxel (1988) works with analogue photography techniques. For Van Menxel, the creation of the image spans several time layers: the initial recording, the printing, but also the period in-between, in which the latent image transforms inside the artist's head. Light and space are captured and simultaneously uprooted from the concrete context. In the darkroom, Van Menxel processes the negatives with unconventional means: she licks the photo paper, sits on it or adjusts exposure times and chemicals until an expected or unforeseen effect is achieved. Exhaustive testing and experimentation leads to a sensual series of layered images."-- Roger Raveel Museum |
|---|---|
| Beschreibung: | Umschlagtitel Auflage: 300 Exemplare Impressum: "'Vocabularium', Kasper Andreasen, Raphaël Buedts, Sine Van Menxel, 13.03.2022-12.06.2022, Roger Raveel Museum, Machelen-aan-de-Leie, Belgium" |
| Beschreibung: | 100 Seiten, 12 ungezählte Seiten |
| ISBN: | 9789040304453 978-90-403-0445-3 |