Poetics for the more-than-human world an anthology of poetry and commentary
"This amazingly capacious and intelligent collection of poems and essays is the first extended work I know to take completely seriously where poetry comes from ... Eco-concerns make us hear multiple musics in endless varied assemblages that allow us to become attuned to the many kinds of intell...
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| Format: | UnknownFormat |
| Sprache: | eng |
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New York City
Dispatches Editions
2020
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Tag hinzufügen | Zusammenfassung: | "This amazingly capacious and intelligent collection of poems and essays is the first extended work I know to take completely seriously where poetry comes from ... Eco-concerns make us hear multiple musics in endless varied assemblages that allow us to become attuned to the many kinds of intelligences that sponsor them"-- An Anthology of ecology of ecologically oriented poetry and commentary by 140 contemporary writers from a wide range of bioregions, nations, and life situations who include the more-than-human world in their vision of accountability |
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| Beschreibung: | Titelzusatz vom Umschlag |
| Beschreibung: | iii, 521 Seiten Illustrationen 24 cm |
| Produktionsangaben: | Steller's use of verbs when describing the sea cow, hunted to extinction within 27 years of its discovery by Europeans. De Bestiis Marinis, 1751 --Italian tourism bureau draws up plans for the regeneration of the Cinque Terre landscape /Juana Adcock --Eavesdrop /Omar Al-Nakib --Pre-existing planes and fragments /Will Alexander --Finding --For --Ghost World --Whistle /Rae Armantrout --III --XII /Tacey M. Atsitty --Dead pregnant whale found with 48 pounds of plastic in stomach April 2, 2019 /Stacey Balkun --Drought /Joan Baranow --Frog Medley /Michael Basinski --redundant --crypto /Lesley Battler --The folk --Parnassus, the barren cleft --the flies /Jeffery Beam --Jump Circle /Mei-Mei Berssenbrugge --Echolocation /Sally Bliumis-Dunn --Crickets and noise of grasses and perseids --Devil's coach horse beetle slowly through a moment of witness --May-flies unfinished /Sean Borodale --Ticking /Cindy Botha --Eglinton at 5 /Michael Boughn --Once and always --any you shall know us by our trash: an ecopoetics for the moon /John Bradley --a beetle /Marc Brightside --Practice has no sequel /Laynie Browne --Walking over ice to Valcour island --Mikwaldam --The last stand /Joseph Bruchac --Hating Animals /Oded Carmeli --Luna /Catherine Carter, illustrated by Sara Method --35-Bromine --47-silver --112-118-- the superheavy elements /Cara Chamberlain --Melting glaciers --non-equation --Sunnet /Jack Collom --the positions --near the belong of hammered deer /James Cook --from "the writing of an hour" /Brenda Coultas --Fall in big Cataloochee Valley: an ecology /Thomas Rain Crowe --Should I go back out there /Bradley David --in the midst of a flock --owl eye --Silent pink moth /Deborah Davidovits --inside my head --seventh generation /Janine DeBaise --live earth /Vivian Demuth --Heatwork --Hyperthermia --Receiver --cognitive test, red face /Adam Dickinson --Aesthetics --scopaesthesia --cold frozen January next comes in --the sea whisperer /Lisa Fleck Dondiego --prairie requiem /Edward Dougherty --Ecopoetics /Mark DuCharme --January from shepherd's calendar --friskies --the deep chrssstrum --for urban gardeners /Marcella Durand --29 oct 18 /Daneil Eltringham --extracts from Juniper fuse --chaos of the wise --The aurignacians have the floor --Dusk, Abri du cro-magon, 1988, 7:45 P.M. /Clayton Eshleman --from and umbels: sound((ing))s too /Amy Evans Bauer --sur --render /Patricio Ferrari --dead horse bay --archives of winter /Bradly J. Fest --the ice hotel at Jukkasjarvi, Sweden --artists' residency at Ii, Finland --unreliable snowpack /Cheryl J. Fish --[The day lays down] --Pecans --again, August /Ann Fisher-Wirth --automation --the holocene (or the hollow scene) --Squared /Rob Fontini --a Dickinson bestiary (a chorograph) /Elisabeth Frost, Cynthia Hogue, and Dianne Kornberg --Sachamama /Juan Carlos Galeano --Ballad of the little girl who invented the universe --an animal fat /David Greenspan --the grolar bear's ballad /Catherine Greenwood --selected new texts on the anthropocene: Letters and Leisure /Megan Grumbling --Three poems /Robert Head --Snakes /William Heyen --As if hearing heavy furniture moved on the floor above us --Day beginning with seeing the international space station and a full moon over the gulf of mexico and all its invisible fishes --(no wind, no rain) /Jane Hirshfield --What is it that these apparently unrelated, randomly selected examples have in common? --By whom? of what? in which direction? /H. L. Hix --with /Marybeth Holleman --may the human animals /Angela Hume --breathing consciousness breathing --observation of the wind /Brenda Iijima --to those who may come after /Kent Johnson --Fragments from yellow hook notes /Pierre Joris --and so --with these words --sweet white threads /George Kalamaras --Who's there? /Eliot Katz --the river never froze --eclogue on decommissioning --the art of hurricanes /Lissa Kiernan --Selections from you too will see the bird jump --texture --texture 2 --the architecture of time difference /Kim Kyung Ju, translated by Jake Levine and Soohyun Yang --Graphology window 12: cousane Gap sweep backwards and forwards --Nine Inch Nails' bad witch with a ghosting of Liszt's plural Dantes [plural canto VIIs: Inferno] as i make contact, thinking over implications --no direct water contact activities' /John Kinsella --dear white pine in my garden --witch spring, isolation day 9 /Petra Kuppers --The Aspen path --cliff lake /Melissa Kwasny --when nature becomes obsolete --world book (A to Zygote) --inadvertent criticality -- before Fukushima /Patrick Lawler --driving home from Belfast, into the crescent moon /Gary Lawless --the yellow tulip /Ruth Lepson --seep considered --tenebraed to seepage --the road to seep road --seep in inveterate dislodge /Heller Levinson, with drawings by Linda Lynch --they all eat octopus --the chaos of dreaming life /Andrew Levy --trilobrite --American amergin --a butterfly appears unexpectedly in a poem about September 11th /Anthony Lioi --Wasted land /Jady Liu --to die in Erie, Pennsylvania --before all hell breaks loose --sentenced to a night of playing the blues /George Looney --chopping down a walnut tree /Marta López-Luaces --Earth /Jack Martin --from "thirty-seven auguies" --from quincunxes /E.J. McAdams --to Burnley /Alick McCallum --winter solstice --this body --((Dharma)) /Micheal McClure --Locations/Echolocations --Pine + bay + show /James McCorkle --Introduction --Four ways of looking for magpie-- a most becoming bird --Every bone must find its fellow bone: A letter from C.W. Peale to Thomas Jefferson --Magpie rises coming down to earth /Thomas McGuire --between the forest and the sea /Andrew Melrose & Jen Webb --Litany for change /Nancy Mercado --a thousand years after the wet sky /Julian Mithra --Prometheus WPN-114 felled --notes on the existence of heffalumps --selections from the ink's path /Bernard Noël, Translated by Eléna Rivera --the earthquake flowers of Fukushima /Valery Oisteanu --milkweed and thistle --some newer tatters /Peter O'Leary --my life among the crows /John Olson --Jetsam --to a myrtle --a bedouin /António Osório, Translated by Patricio Ferrari & Susan Margaret Brown --a poem where the tone shifts from Whitman to Ashbery --Ocean shores, Washington, August 2018 --funeral /Catherine Owen --narrative space --will & representation /Chris Pedler --Rings of fire --chanting the waters /Craig Santos Perez --Monsters of the deep --micro --point perilous /Frances Presley --Old Human, new consciousness /Kristin Prevallet --Learning to love the earth /Evan Pritchard --Paris /Kester Reid --Having broken, are. /Evelyn Reilly --Touch of Water --Untitled --in the field pastoral /Eléna Rivera --Lone pine, 7 o'clock /Mg Roberts --from Dear Dirtlings /Linda Russo --an Alfoxden soundscape --Seven reasons not to underestimate simple cells /Mark Rutter --Tamarind --Brush-tailed rock wallaby --excubitorium: place of vigil /John Charles Ryan --congress arthropodus --plant lore --eutheria /Jimmy Saekki --Kia toitu he kauri /Sam Sampson --Wolf Acrostic --somehow /Andrew Schelling --"Reft from thee" --play dead (a possum poem) (extracts) /Anthony Seidman --Arctos-Tecture --water lily --Capnomancy crow /Kelly Shepherd --Like Clockword --Vertigo --Jacob's Meadow /John Shoptaw --Ratsnake --mongoose --wagtail /Murali Sivaramakrishnan --Excerpts from "how to make words of rubble" /Isabel Sobral Campos --the drunken spaceship 2 /André Spears --Micronesia /Stephanie Strickland --Salt Song --Doppler effect /Arthur Sze --Three Ravens Watch /Margo Taft Stever --from cut flowers --the Humberston to Tetney Lock 2013-2019 --7-8 March 2013 --29 March 2019 /Harriet Tarlo --Clear water renga /Brian Teare --some ode, oder --carbon sink --to the is-land /Orchid Tierney --gum wrapper /Edwin Torres --20 --22 --24 /John Tritica --Audiology /Keith Tuma --woman, reef --meadow /Kathryn Weld --Monarch stage 2 /Laurie Wilcox-Meyer --Pangolin II /Morgan Grayce Willow --evolution of a silhouette /Daniel Wolff --1 --2 /Jeffrey Yang --Essays and Critical Responses --The Green abyss: A theory fiction /Natalie Cortez-Klossner --El Agua Vive!: Visions of the real in the Amazon Region as seen through J.C. Galeano's Poetry and collected tales /Alexis Finet --"An attentive engagement with nature": an appreciation of Harriet Tarlo's Radical landscape poetry /Cynthia Hogue --Walking into "no future full": Brain Teare's doomsday days /Lynn Keller --Dwelling with the possible: Lyric obscurity and embedded perception /Sharon Lattig --eco/proprioception /George Quasha --Peter O'Leary mycological audacity /Mark Scroggins --Pips from the pomegranate: Armenian Hayren in 18 morsels /Ravi Shankar --Ten questions on birds of tifft /Jonathan Skinner --Christo & Jeanne-Claude: The running fence /Cole Swensen --On queer ecopoetics and the natures we cannot disavow /Jean-Thomas Tremblay --entangling the world: the connective poetics if Juliana Spahr's "if you were a bluebird" /Pauw Vos --Three Approaches /Tyrone Williams --acknowledgements --Contributor biographies |
| ISBN: | 9781952419560 978-1-952419-56-0 1952419565 1-952419-56-5 9781952419300 978-1-952419-30-0 1952419301 1-952419-30-1 |