From factory girls to K-pop idol girls cultural politics of developmentalism, patriarchy, and neoliberalism in South Korea's popular music industry
Machine generated contents note:1.Popular Culture as a Strategic Field of Neoliberal Intervention: Developmentalism, Neoliberal Social Policy, and Governmentality in the Post-IMF Korean Popular Music Industry --2.K-Pop Idol Girl Groups as Cultural Genre of Neoliberalism: Patriarchy, Developmentalism...
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Format: | UnknownFormat |
Sprache: | eng |
Veröffentlicht: |
Lanham, Boulder, New York, London
Lexington Books
2019
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Schriftenreihe: | For the record Lexington studies in rock and popular music
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Schlagworte: | |
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Zusammenfassung: | Machine generated contents note:1.Popular Culture as a Strategic Field of Neoliberal Intervention: Developmentalism, Neoliberal Social Policy, and Governmentality in the Post-IMF Korean Popular Music Industry --2.K-Pop Idol Girl Groups as Cultural Genre of Neoliberalism: Patriarchy, Developmentalism, and Structure of Feeling/Experience in K-Pop --3.Between Hybridity and Hegemony in K-Pop's Global Popularity: A Case of Girls' Generation's American Debut --4.Genealogy and Affective Economy of K-Pop Female Idols: From Cute and Innocent, to Ambiguous Femininity, to Explicit Sexualization --5.Elusive Subjectivity of K-Pop Female Idols: Split-Personality, Narcissism, and Neo-Confucian Body Techniques in Suzy of Miss A --6.Resilience, Positive Psychology, and Subjectivity in K-Pop Female Idols: Evolution of Girls' Generation from "Into the New World" (2007) to "All Night" (2017) --7.The 90s, the Most Stunning Days of Our Lives: Retro K-Pop Music, Nostalgia, and Positive Psychology in Contemporary Korea. |
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Beschreibung: | Includes bibliographical references and index |
Beschreibung: | xxxiv, 153 Seiten 23 cm |
ISBN: | 9781498548847 978-1-4985-4884-7 |