Bigger than life the close-up and scale in the cinema
The delirium of a minimal unit -- The cinematic manufacture of scale, or historical vicissitudes of the close-up -- At face value -- Screens, female faces, and modernities -- The location of the image : projection, perspective, and scale -- The concept of immersion : mediated space, media space, and...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Durham, London
Duke University Press
2021
|
| Schlagworte: |
Cinematography
> History
> Digital cinematography
> Motion picture audiences
> Psychology
> Space in motion pictures
> Place (Philosophy) in motion pictures
> Participatory theater
> Performance arts / Film / History & Criticism
> Social science / Gender Studies
> Film
> Nahaufnahme
> Filmästhetik
> Filmgestaltung
> Raum
> Erzähltechnik
|
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Tag hinzufügen | Zusammenfassung: | The delirium of a minimal unit -- The cinematic manufacture of scale, or historical vicissitudes of the close-up -- At face value -- Screens, female faces, and modernities -- The location of the image : projection, perspective, and scale -- The concept of immersion : mediated space, media space, and the location of the subject. "In Bigger Than Life Mary Ann Doane examines how the scalar operations of cinema, especially those of the close-up, disturb and reconfigure the spectator's sense of place, space, and orientation. Doane traces the history of scalar transformations from early cinema to the contemporary use of digital technology. In the early years of cinema, audiences regarded the monumental close-up, particularly of the face, as grotesque and often horrifying, even as it sought to expose a character's interiority through its magnification of detail and expression. Today, large-scale technologies such as IMAX and sound surround strive to dissolve the cinematic frame and invade the spectator's space, "immersing" them in image and sound. The notion of immersion, Doane contends, is symptomatic of a crisis of location in technologically mediated space and a reconceptualization of position, scale, and distance. In this way, cinematic scale and its modes of spatialization and despatialization have shaped the modern subject, interpolating them into the incessant expansion of commodification"-- |
|---|---|
| Beschreibung: | Literaturverzeichnis: Seiten 325-342 |
| Beschreibung: | xi, 356 Seiten Illustrationen |
| ISBN: | 9781478014485 978-1-4780-1448-5 9781478013563 978-1-4780-1356-3 |