Contraband guides race, transatlantic culture, and the arts in the Civil War era
Representations of people of color in nineteenth-century American accounts of Italian travel -- "A Mulatto sculptor from New Orleans" : Eugène Warburg in Europe, 1853-1859 -- "The black man to-day means liberty" : African American figures in the work of Emanuel Leutze -- "So...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
University Park, Pennsylvania
The Pennsylvania State University Press
2020
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| Schlagworte: | |
| Online Zugang: | Inhaltsverzeichnis |
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Tag hinzufügen | Zusammenfassung: | Representations of people of color in nineteenth-century American accounts of Italian travel -- "A Mulatto sculptor from New Orleans" : Eugène Warburg in Europe, 1853-1859 -- "The black man to-day means liberty" : African American figures in the work of Emanuel Leutze -- "Something American" : art and slavery in the correspondence of John Ruskin and Charles Eliot Norton -- Old masters : the Western tradition of the visual arts in African American culture in the Civil War era -- Contraband guide : Mark Twain in race and the Renaissance. "Explores the theme of race in nineteenth-century transatlantic culture, focusing on how American concepts of race were intertwined with the ongoing cultural exchanges that Americans had with European artistic traditions"-- |
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| Beschreibung: | Includes bibliographical references (pages 257-280) and index Titelblattrückseite: Chapter 2 was originally published in "Blacks and Blackness in European Art of the Long Nineteenth Century", ed. Adrienne Childs and Susan Libby (Farnham: Ashgate, 2014) |
| Beschreibung: | xi, 300 Seiten Illustrationen 27 cm |
| ISBN: | 9780271083858 978-0-271-08385-8 0271083859 0-271-08385-9 |