Giacinto Scelsi music across the borders
Introducing Giacinto Scelsi /Federico Celestini --Il compositore fu una cooperativa : riflessioni su un processo creativo /Sandro Marrocu --Analyzing Scelsi /Christian Utz --Essere per interpretare, interpretare per essere : prospettive esecutive della musica di Giacinto Scelsi /Elisabetta Piras --M...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Turnhout
Brepols
2019
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| Schriftenreihe: | Contemporary composers
volume 2 |
| Schlagworte: | |
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Tag hinzufügen | Zusammenfassung: | Introducing Giacinto Scelsi /Federico Celestini --Il compositore fu una cooperativa : riflessioni su un processo creativo /Sandro Marrocu --Analyzing Scelsi /Christian Utz --Essere per interpretare, interpretare per essere : prospettive esecutive della musica di Giacinto Scelsi /Elisabetta Piras --Molti pezzi su 88 tasti : indagine su un catalogo pianistico costruito a posteriori /Andrea di Giacomo --Small ensemble and solo instrumental works /Ian Dickson --Ritual and embodiment in Giacinto Scelsi's solo works for voice : a performance studies approach /Francesca Placanica --Giacinto Scelsi compositore di quartetti per archi : un approccio discorsivo /Alessandro Cecchi --Works for orchestra and chorus /Friedrich Jaecker --La ricezione scelsiana in ambito musicologico, interpretativo e compositivo /Alessandra Montali --Giacinto Scelsi et la France : le champ des nébuleuses /Pierre Albert Castanet --Vom "Innern des Tones" und "sakralen Sehnsüchten" : zur Rezeption von Giacinto Scelsis Musik in Deutschland /Markus Bandur --Giacinto Scelsi in the USA and in the UK /Thomas Peattie --Scelsi in Austria /Elfriede Reissig --"Do not diminish the sense which you do not understand" : Giacinto Scelsi's archive, library, museum /Alessandra Carlotta Pellegrini --Catalogue of the works of Giacinto Scelsi /Friedrich Jaecker. "This volume proposes new approaches to Scelsi's musical works. The work of the Italian composer Giacinto Scelsi (1905-1988) brings a special urgency to the main questions of musical thought. These questions concern subjectivity in composition and music making; the relationship between sound, structure, and form; the relationship between improvisation and composition; and the role of musical writing in terms of composition and performance. This is undoubtedly also the product of his complex working method, in which improvisation, composition, musical writing, and performance follow one another, each imposing their own, often divergent, mark on the end result. The opening of the Isabella Scelsi Foundation archive in Rome in 2009 highlighted the significance of the composer while facilitating new research perspectives on his work. Now is the right time for a larger publication to document and propagate recent results and new approaches."--Publisher's description |
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| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxix, 416 Seiten Illustationen, Notenbeispiele 27 cm |
| ISBN: | 2503586449 2-503-58644-9 9782503586441 978-2-503-58644-1 |