Contemporary African dance theatre phenomenology, whiteness, and the gaze
Intro -- Acknowledgements -- Contents -- List of Illustrations -- 1 This Is Not a Book About African Dance -- White Spectatorship, Race, and the Violence of the Gaze -- Material Phenomenology: Dance, Affect and the Alien -- References -- 2 Sources and Vocabularies of Contemporary African Dance Theat...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Cham, Switzerland
Palgrave Macmillan
2020
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| Schriftenreihe: | New world choreographies
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| Schlagworte: | |
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Tag hinzufügen | Zusammenfassung: | Intro -- Acknowledgements -- Contents -- List of Illustrations -- 1 This Is Not a Book About African Dance -- White Spectatorship, Race, and the Violence of the Gaze -- Material Phenomenology: Dance, Affect and the Alien -- References -- 2 Sources and Vocabularies of Contemporary African Dance Theatre Aesthetics -- Drums at the Museum: Alphonse Tiérou's Alphabet of African Dance -- Rhythm, Philosophy and the Dance of Life: Zab Maboungou's RYPADA -- Un-suturing Whiteness I: De/Liberate Gestures -- Dancing Inside the Frame and Outside the Box: Two Solos by Germaine Acogny -- Un-suturing Whiteness II: Somewhere at the Beginning and My Black Chosen One -- References -- 3 White Supremacy, Necropolitics and Anti-Capitalist Dance -- Faustin Linyekula and Studios Kabako (Democratic Republic of Congo) -- Un-suturing III: More, More, More … Future! (2009) -- From Abidjan to Berlin: Franck Edmond Yao's Logobi (Ivory Coast/Germany) -- Un-suturing Whiteness IV: Logobi #3 and Logobi #4 -- Gregory Maqoma and Vuyani Dance Theatre (South Africa) -- Un-suturing Whiteness V: Exit/Exist (2011/2012) -- References -- 4 Mistaken Identity: Deconstructing White Beauty and Gender Politics -- Interrogating Whiteness from Within: Robyn Orlin (South Africa) -- Un-suturing Whiteness VII: Beauty remained for just a moment then returned gently to her starting position … -- Atlantic Crossings: Nora Chipaumire (Zimbabwe/US) -- Un-suturing Whiteness VI: Miriam and portrait of myself as my father -- Un-suturing Whiteness VIII: Alesandra Seutin's Dance of Ambivalence -- The Un-suturing of Universal Whiteness: Beyond Identity Politics? -- References -- 5 Collaborative Blindness: Funding, Failure and the Ethics of Collaboration -- Susanne Linke and Company Jant-Bi's Le Coq est mort (1999) -- Steptext Dance Project/Vuyani Dance Theatre's Out of Joint (2017). |
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| Beschreibung: | Includes bibliographical references and index on pages 159-174 |
| Beschreibung: | ix, 174 Seiten Illustrationen 21,5 cm |
| ISBN: | 9783030415006 978-3-030-41500-6 |