ʹMyʹ self on camera first person documentary practice in an individualising China
Machine generated contents note:1.Female First Person Documentary Practice: Negotiating Gendered Expectations --2.Amateurness and an Inward Gaze at Home --3.Nostalgia toward Laojia: Old Home as an Imagined Past --4.First Person Action Documentary Practice: Longing for a More Politicised Space --5.Th...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2019
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| Schriftenreihe: | Edinburgh studies in East Asian film
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| Schlagworte: | |
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Tag hinzufügen | Zusammenfassung: | Machine generated contents note:1.Female First Person Documentary Practice: Negotiating Gendered Expectations --2.Amateurness and an Inward Gaze at Home --3.Nostalgia toward Laojia: Old Home as an Imagined Past --4.First Person Action Documentary Practice: Longing for a More Politicised Space --5.The Problematic Public Self: Ethics, Camera and Language in Contestable Minjian Public Spaces --6.Camera Activism: Provocative Documentation, First Person Confrontation and Collective Force --7.Whose Self on Camera? Motives, Mistrust, Disputed Authenticities --8.From Fragile First Person Documentary Practice to Popular Online First Person Live Streaming Broadcast -- Zhibo: Changing Intentions, Changing Individual Selves. |
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| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xv, 223 pages illustrations (black and white) 24 cm |
| ISBN: | 0748698213 0-7486-9821-3 9780748698219 978-0-7486-9821-9 |