Filmed thought cinema as reflective form
Cinema as reflective form. Cinematic reflection ; Cinematic self-consciousness in Alfred Hitchcock's Rear Window -- Moral variations. Devils and angels in Pedro Almodovar's Talk to Her ; Confounding morality in Alfred Hitchcock's Shadow of a Doubt -- Social pathologies. Cinematic tone...
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| 1. Verfasser: | |
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Chicago, London
The University of Chicago Press
2020
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| Schlagworte: |
Motion pictures
> History and criticism
> Aesthetics
> USA
> Film
> Reflexion
> Denkanstoß
> Ästhetik
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| Online Zugang: | Inhaltsverzeichnis |
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Tag hinzufügen | Zusammenfassung: | Cinema as reflective form. Cinematic reflection ; Cinematic self-consciousness in Alfred Hitchcock's Rear Window -- Moral variations. Devils and angels in Pedro Almodovar's Talk to Her ; Confounding morality in Alfred Hitchcock's Shadow of a Doubt -- Social pathologies. Cinematic tone in Roman Polanski's Chinatown: can "life" itself be "false"? ; Love and class in Douglas Sirk's All That Heaven Allows -- Irony and mutuality. Cinematic irony: the strange case of Nicholas Ray's Johnny Guitar ; Passive and active skepticism in Nicholas Ray's In a Lonely Place -- Agency and meaning. Vernacular metaphysics: on Terrence Malick's The Thin Red Line ; Psychology degree zero? the representation of action in the films of the Dardenne Brothers. |
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| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 271 Seiten, 32 ungezählte Seiten Illustrationen |
| ISBN: | 9780226672007 978-0-226-67200-7 9780226671956 978-0-226-67195-6 |