Stilistischer Paradigmenwechsel oder Generationenkonflikt? die Gambensonaten von Johann Sebastian und Carl Phillipp Emanuel Bach
It seems surprising that both J.S. Bach and his son C.P.E. Bach composed sonatas for viola da gamba, as the instrument had largely been displaced by the violoncello in the 18th c. Whereas one of the three sonatas by the elder Bach originally existed as a trio sonata and was only later arranged for i...
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| Veröffentlicht in: | Archiv für Musikwissenschaft |
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| 1. Verfasser: | |
| Format: | UnknownFormat |
| Sprache: | ger |
| Veröffentlicht: |
2008
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Tag hinzufügen | Zusammenfassung: | It seems surprising that both J.S. Bach and his son C.P.E. Bach composed sonatas for viola da gamba, as the instrument had largely been displaced by the violoncello in the 18th c. Whereas one of the three sonatas by the elder Bach originally existed as a trio sonata and was only later arranged for instrument and obbligato cembalo, all three sonatas by the younger Bach are original compositions. Two early sonatas are scored for viol and basso continuo; the later one—like his father's sonatas—is a trio for viol and obbligato keyboard instrument. The juxtaposition of reminiscences of his father's compositions with regard to texture and elements of the galant style in the sonatas for viola da gamba by C.P.E. Bach is examined. (RILM) |
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| ISSN: | 0003-9292 |