Shots in the dark Japan, Zen, and the West
Between the real and the fake -- The kitschy world of "Zen in/and the art of . . ." -- The rock garden in New York -- The moving borderline -- The mystery of Zen in the Art of Archery -- The beginning of the story -- Spiritual archery and Herrigel's meeting with its teacher -- Becomin...
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Format: | UnknownFormat |
Sprache: | eng |
Veröffentlicht: |
Chicago, Ill. u.a.
The Univ. of Chicago Press u.a.
2009
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Schriftenreihe: | Nichibunken monograph series
9 |
Schlagworte: |
Herrigel, Eugen
> Herrigel, Eugen *1884-1955*
> Zen in der Kunst des Bogenschiessens
> Zen Buddhism
> Study and teaching
> Civilization, Western
> Japanese influences
> Archery
> Religious aspects
> Rock gardens, Japanese
> 20th century
> Japan
> Gardens
> Ryōanji Teien (Kyoto, Japan)
> Bogenschießen
> Zen-Buddhismus
> Geschichte
> Ryōanji
> Westliche Welt
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Zusammenfassung: | Between the real and the fake -- The kitschy world of "Zen in/and the art of . . ." -- The rock garden in New York -- The moving borderline -- The mystery of Zen in the Art of Archery -- The beginning of the story -- Spiritual archery and Herrigel's meeting with its teacher -- Becoming a disciple -- Breathing -- The release -- Purposefulness and purposelessness -- The target in the dark -- The riddle of "It" -- Dissecting the myth -- The spread of Zen in the Art of Archery -- The moment the myth was born -- What is Japanese archery? -- The great doctrine of the way of shooting -- What Herrigel studied -- The erased history -- The blank slate -- Herrigel's early years -- The Japanese in Heidelberg -- Homecoming and the Nazis -- From the end of the war to retirement -- Are rock gardens really pretty? -- From the "tiger cubs crossing the river" to the "higher self" -- The neglected rock garden -- The rock garden in textbooks -- Unsightly stones and a weeping cherry tree -- Shiga Naoya and Murō Saisei -- Are rock gardens pretty? -- Popularization and the expression of Zen -- Proof of beauty -- Looking at the mirror's reflection -- Another Japan experience -- Bruno Taut and Ryōanji -- The people who introduced Zen and Ryōanji to the West -- Isamu Noguchi -- How Zen in the Art of Archery and Ryōanji were received -- Does Zen stink? -- Kyūdō, Zen, and the Olympics -- I knew it! it's Zen! -- Postscript -- Translator's afterword -- Appendix: Herrigel's "defense" -- Kanji for personal names -- Kanji for Japanese terms. Between the real and the fake -- The kitschy world of "Zen in/and the art of . . ." -- The rock garden in New York -- The moving borderline -- The mystery of Zen in the Art of Archery -- The beginning of the story -- Spiritual archery and Herrigel's meeting with its teacher -- Becoming a disciple -- Breathing -- The release -- Purposefulness and purposelessness -- The target in the dark -- The riddle of "It" -- Dissecting the myth -- The spread of Zen in the Art of Archery -- The moment the myth was born -- What is Japanese archery? -- The great doctrine of the way of shooting -- What Herrigel studied -- The erased history -- The blank slate -- Herrigel's early years -- The Japanese in Heidelberg -- Homecoming and the Nazis -- From the end of the war to retirement -- Are rock gardens really pretty? -- From the "tiger cubs crossing the river" to the "higher self" -- The neglected rock garden -- The rock garden in textbooks -- Unsightly stones and a weeping cherry tree -- Shiga Naoya and Murō Saisei -- Are rock gardens pretty? -- Popularization and the expression of Zen -- Proof of beauty -- Looking at the mirror's reflection -- Another Japan experience -- Bruno Taut and Ryōanji -- The people who introduced Zen and Ryōanji to the West -- Isamu Noguchi -- How Zen in the Art of Archery and Ryōanji were received -- Does Zen stink? -- Kyūdō, Zen, and the Olympics -- I knew it! it's Zen! -- Postscript -- Translator's afterword -- Appendix: Herrigel's "defense" -- Kanji for personal names -- Kanji for Japanese terms. |
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Beschreibung: | Vorlageform des Originaltitels: Zen to yū na no Nihon-maru |
Beschreibung: | VIII, 290 S. Ill., graph. Darst. |
ISBN: | 9780226947648 978-0-226-94764-8 0226947645 0-226-94764-5 |