Wittgenstein and the creativity of language
Machine generated contents note:PART I: INTRODUCTION -- 1. The Good, the Bad and the Creative: Language in Wittgenstein's Philosophy; Sebastian Sunday Grève and Jakub Mácha -- PART II: OVERTURE -- 2. Cats on the Table, New Blood for Old Dogs: What Distinguishes Reading Philosophers (on Poets) f...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Basingstoke, New York, NY
Palgrave Macmillan
2016
|
| Schlagworte: | |
| Online Zugang: | Inhaltsverzeichnis Inhaltstext |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Tag hinzufügen | Zusammenfassung: | Machine generated contents note:PART I: INTRODUCTION -- 1. The Good, the Bad and the Creative: Language in Wittgenstein's Philosophy; Sebastian Sunday Grève and Jakub Mácha -- PART II: OVERTURE -- 2. Cats on the Table, New Blood for Old Dogs: What Distinguishes Reading Philosophers (on Poets) from Reading Poets?; Stephen Mulhall -- PART III: READING: WITTGENSTEIN: WRITING -- 3. Ludwig Wittgenstein and Us 'Typical Western Scientists'; Alois Pichler -- 4. Wittgenstein on Gödel: Reading Remarks on the Foundations of Mathematics, Part I, Appendix III, Carefully; Wolfgang Kienzler and Sebastian Sunday Grève -- 5. Wittgenstein: No Linguistic Idealist; Danièle Moyal-Sharrock -- PART IV: PHILOSOPHY AND THE ARTS -- 6. Wittgenstein, Verbal Creativity and the Expansion of Artistic Style; Garry L. Hagberg -- 7. Doubt and Display: A Foundation for a Wittgensteinian Approach to the Arts; Charles Altieri -- 8. The Urn and the Chamber Pot; John Hyman -- PART V: CREATIVITY AND THE MORAL LIFE -- 9. Wittgenstein and Diamond on Meaning and Experience: From Groundlessness to Creativity; Maria Balaska -- 10. Find It New: Aspect-Perception and Modernist Ethics; Ben Ware -- 11. Metaphysics Is Metaphorics: Philosophical and Ecological Reflections from Wittgenstein and Lakoff on the Pros and Cons of Linguistic Creativity; Rupert Read. -- PART I: INTRODUCTION -- 1. The Good, the Bad and the Creative: Language in Wittgenstein's Philosophy; Sebastian Sunday Grève and Jakub Mácha -- PART II: OVERTURE -- 2. Cats on the Table, New Blood for Old Dogs: What Distinguishes Reading Philosophers (on Poets) from Reading Poets?; Stephen Mulhall -- PART III: READING: WITTGENSTEIN: WRITING -- 3. Ludwig Wittgenstein and Us 'Typical Western Scientists'; Alois Pichler -- 4. Wittgenstein on Gödel: Reading Remarks on the Foundations of Mathematics, Part I, Appendix III, Carefully; Wolfgang Kienzler and Sebastian Sunday Grève -- 5. Wittgenstein: No Linguistic Idealist; Danièle Moyal-Sharrock -- PART IV: PHILOSOPHY AND THE ARTS -- 6. Wittgenstein, Verbal Creativity and the Expansion of Artistic Style; Garry L. Hagberg -- 7. Doubt and Display: A Foundation for a Wittgensteinian Approach to the Arts; Charles Altieri -- 8. The Urn and the Chamber Pot; John Hyman -- PART V: CREATIVITY AND THE MORAL LIFE -- 9. Wittgenstein and Diamond on Meaning and Experience: From Groundlessness to Creativity; Maria Balaska -- 10. Find It New: Aspect-Perception and Modernist Ethics; Ben Ware -- 11. Metaphysics Is Metaphorics: Philosophical and Ecological Reflections from Wittgenstein and Lakoff on the Pros and Cons of Linguistic Creativity; Rupert Read "This volume is the first to focus on a particular complex of questions that have troubled Wittgenstein scholarship since its very beginnings. Today, readers continue to be struck by the creative style of this genius of 20th-century philosophy. At the same time, his writings provided the ground for several subsequent philosophical movements, such as logical positivism and so-called ordinary language philosophy, which have often been regarded as being inherently scientistic or conservative, or even in some sense anti-creative. The chapters of this volume set out to re-examine Wittgenstein's lasting intellectual influence in this respect. To this end, they present recent work on Wittgenstein's fundamental insights into the workings of human linguistic behaviour, its creative extensions and its philosophical capabilities, as well as Wittgenstein's own creative use of language--thus insightfully connecting issues from a variety of topics such as painting, politics, literature, poetry, literary theory, mathematics, philosophy of language, aesthetics and philosophical methodology. The contributors of this volume are Charles Altieri, Maria Balaska, Garry L. Hagberg, John Hyman, Wolfgang Kienzler, Danièle Moyal-Sharrock, Stephen Mulhall, Alois Pichler, Rupert Read, Sebastian Sunday Grève, and Ben Ware"-- "This volume is the first to focus on a particular complex of questions that have troubled Wittgenstein scholarship since its very beginnings. Today, readers continue to be struck by the creative style of this genius of 20th-century philosophy. At the same time, his writings provided the ground for several subsequent philosophical movements, such as logical positivism and so-called ordinary language philosophy, which have often been regarded as being inherently scientistic or conservative, or even in some sense anti-creative. The chapters of this volume set out to re-examine Wittgenstein's lasting intellectual influence in this respect. To this end, they present recent work on Wittgenstein's fundamental insights into the workings of human linguistic behaviour, its creative extensions and its philosophical capabilities, as well as Wittgenstein's own creative use of language--thus insightfully connecting issues from a variety of topics such as painting, politics, literature, poetry, literary theory, mathematics, philosophy of language, aesthetics and philosophical methodology. The contributors of this volume are Charles Altieri, Maria Balaska, Garry L. Hagberg, John Hyman, Wolfgang Kienzler, Danièle Moyal-Sharrock, Stephen Mulhall, Alois Pichler, Rupert Read, Sebastian Sunday Grève, and Ben Ware"-- |
|---|---|
| Beschreibung: | xxi, 314 Seiten Illustrationen |
| ISBN: | 9781137472533 978-1-137-47253-3 9781349580736 978-1-349-58073-6 |