Bachs Capriccio B-Dur Nachahmung um 1700
Outlines principles of imitation in the 18th-c., principles that had become increasingly criticized or even totally rejected. Argues for a view of imitatio/mimesis in the Aristotelian sense, and gives a historical sketch of the issues around 1700. Looks at Bach's B-flat major capriccio from the...
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| Veröffentlicht in: | Analysen |
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| 1. Verfasser: | |
| Format: | UnknownFormat |
| Sprache: | ger |
| Veröffentlicht: |
1984
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Tag hinzufügen | Zusammenfassung: | Outlines principles of imitation in the 18th-c., principles that had become increasingly criticized or even totally rejected. Argues for a view of imitatio/mimesis in the Aristotelian sense, and gives a historical sketch of the issues around 1700. Looks at Bach's B-flat major capriccio from these points of view: the concept of capriccio around 1700, the origins of Bach's work, and an analysis of the work's structure. (AN: 1984-5788) (RILM) |
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| Beschreibung: | graph. Darst., Notenbeisp. |
| ISBN: | 3515036628 9783515036627 |