Das "Originalgenie" Carl Philipp Emanuel Bach als Almanachbeiträger
The printing of his works was a central driving force of Carl Philipp Emanuel Bach’s life as an artist. His frequently realized ambition to publish important compositions and work cycles either individually or in the context of collective print runs or anthologies by leading publishers such as Haffn...
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| Veröffentlicht in: | Musik und musikalische Öffentlichkeit |
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| Format: | UnknownFormat |
| Sprache: | ger |
| Veröffentlicht: |
2014
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Tag hinzufügen | Zusammenfassung: | The printing of his works was a central driving force of Carl Philipp Emanuel Bach’s life as an artist. His frequently realized ambition to publish important compositions and work cycles either individually or in the context of collective print runs or anthologies by leading publishers such as Haffner, Winter, Breitkopf, and others, his professionally self-published works, and his “Musikbeilagen” meant for almanacs, journals, and theoretical treatises contributed significantly to the consolidation of his reputation as an "Originalgenie" in the musical world. However, they also guaranteed the presence and effectiveness of Bach’s work in the musical culture of his time. (Vorlage) (BMS) |
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| ISBN: | 9783943245165 |