"Diese Fantasie ist einzig ..." das "Recitativ" in Bachs Chromatischer Fantasie und seine Bedeutung für die Ausbildung der Freien Fantasie
The stylistic traits of free keyboard forms of the 17th and 18th c. (toccata, prelude, capriccio), and the manneristic traits of the 16th- and 17th-c. fantasy are brought together in Bach's Chromatische Fantasie (1720-30). The title 'fantasy' applies primarily to the closing recitativ...
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| Veröffentlicht in: | Schleuning, Peter, 1941 - Über Bach ... |
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| Format: | UnknownFormat |
| Sprache: | ger |
| Veröffentlicht: |
2006
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Tag hinzufügen | Zusammenfassung: | The stylistic traits of free keyboard forms of the 17th and 18th c. (toccata, prelude, capriccio), and the manneristic traits of the 16th- and 17th-c. fantasy are brought together in Bach's Chromatische Fantasie (1720-30). The title 'fantasy' applies primarily to the closing recitative section, which is written in a style characterized by Mattheson as 'stylis phantasticus', and which was derived from the recitativo stromentato of opera seria. With this recitative section Bach founded a new type of expressive free fantasy, whose traditions were carried on by his son C.P.E. Bach. (RILM) |
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| Beschreibung: | Notenbeisp. |
| ISBN: | 3932676122 9783932676123 |