Cracking Gilles Deleuze's crystal narrative space-time in the films of Jean Renoir
Jean Renoir is widely considered as one of the most important technical innovators and politically engaged filmmakers in cinema history. Reassessing the unique qualities of Renoir’s influential visual style by interpreting his films through Gilles Deleuze’s film philosophy, and through previously un...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2018
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Tag hinzufügen | Zusammenfassung: | Jean Renoir is widely considered as one of the most important technical innovators and politically engaged filmmakers in cinema history. Reassessing the unique qualities of Renoir’s influential visual style by interpreting his films through Gilles Deleuze’s film philosophy, and through previously unpublished production files, Barry Nevin provides a fresh and accessible interdisciplinary perspective that illuminates both the consistency and diversity of Renoir’s oeuvre. Exploring canonised landmarks in Renoir’s career, including La Grande Illusion (1937) and La Règle du jeu (1939), the book also considers neglected films such as Le Bled (1929) and Diary of a Chambermaid (1946) to present a rounded analysis of this quintessential French auteur’s oeuvre.-- |
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| Beschreibung: | Includes bibliographical references (pages [218]-230) and indexes |
| Beschreibung: | xiv, 236 pages illustrations (black and white) 24 cm |
| ISBN: | 9781474426299 978-1-4744-2629-9 1474426298 1-4744-2629-8 9781474426305 1474426301 9781474426312 147442631X |