Über die musikalische "Empfindsamkeit"
Previous research has made Empfindsamkeit or empfindsamer Stil into a dubious concept by insisting (since Ernst Bücken) that Empfindsamkeit be understood as a reaction to the Enlightenment or to rationalism. Studies in literary history during the 1970s (especially those of Georg Sauder) have establi...
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| Veröffentlicht in: | Die Musikforschung |
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| 1. Verfasser: | |
| Format: | UnknownFormat |
| Sprache: | ger |
| Veröffentlicht: |
1986
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Tag hinzufügen | Zusammenfassung: | Previous research has made Empfindsamkeit or empfindsamer Stil into a dubious concept by insisting (since Ernst Bücken) that Empfindsamkeit be understood as a reaction to the Enlightenment or to rationalism. Studies in literary history during the 1970s (especially those of Georg Sauder) have established that Empfindsamkeit is a tendency of the Enlightenment itself. Its essence lies in a harmony of understanding and feeling. In Musical Empfindsamkeit, too, the requirement of a touching depiction of sensibility is accompanied by a sober warning against disproportionate expression. Contemporary discussion of composition and performance shows the same balanced perspective. (AN: 1986-6573) (RILM) |
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| Beschreibung: | Notenbeisp. |
| ISSN: | 0027-4801 |