Marco Fusinato - desastres Australia Pavilion, 59th International Art Exhibition, La Biennale di Venezia

Marco Fusinato is performing live in the Australia Pavilion for the duration of the 59th International Art Exhibition La Biennale di Venezia. He uses an electric guitar as a signal generator into mass amplification to improvise slabs of noise, saturated feedback and discordant intensities that trigg...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Fusinato, Marco (KünstlerIn)
Körperschaften: Australia Council (BerichterstatterIn), Biennale di Venezia (BerichterstatterIn)
Weitere Verfasser: Glass-Kantor, Alexie (VeranstalterIn), Joseph, Branden Wayne (VerfasserIn von ergänzendem Text), Russell, Bruce (VerfasserIn von ergänzendem Text), Povinelli, Elizabeth A. (VerfasserIn von ergänzendem Text), Moore, Thurston (VerfasserIn von ergänzendem Text)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: Pyrmont, Milan, Italy Australia Council for the Arts Lenz 2022
Ausgabe:First edition
Schlagworte:
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
Beschreibung
Zusammenfassung:Marco Fusinato is performing live in the Australia Pavilion for the duration of the 59th International Art Exhibition La Biennale di Venezia. He uses an electric guitar as a signal generator into mass amplification to improvise slabs of noise, saturated feedback and discordant intensities that trigger a deluge of images onto a freestanding floor-to-ceiling LED wall. The images are sourced via a stream of words that have been put into an open search across multiple online platforms. There is no theme as such, rather the immersion of sound and image is open for the audience to interpret and make sense of. The intent is to create some kind of hallucination, elation in disorientation and exhaustion from confusion. The work is an invitation for audiences to come together within a high-intensity concentration of energy. What can't be seen, can be felt: sound as physical matter which creates a transformative experience. This expansive publication features a new essay by Branden W. Joseph, professor of art history at Columbia University and an extensive interview by curator Alexie Glass-Kantor with Marco Fusinato. It also includes texts by critical theorist and filmmaker Elizabeth Povinelli, AI researcher and author Kate Crawford, writer and curator Chus Martínez, and musicians/outre-guitarists Thurston Moore (Sonic Youth), Stephen O'Malley (SUNN O)))) and Bruce Russell (Dead C).00Exhibition: Australia Pavilion, 59th International Art Exhibition La Biennale di Venezia, Venice, Italy (23.04. - 27.11.2022)
Beschreibung:Titelblatt auf Seite 205
First published in Venice in April 2022 by the Australia Council for the Arts and Lenz on the occasion of the exhibition "Marco Fusinato DESASTRES", curated by Alexie Glass-Kantor, 23 April - 27 November 2022 in the Australia Pavilion at the 59th International Art Exhibition of La Biennale di Venezia
Beschreibung:408 Seiten
ISBN:9780646856179
0646856170