Parallel public experimental art in late East Germany

Dissertation, University of California, Santa Cruz, 2017

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Bibliographische Detailangaben
1. Verfasser: Blaylock, Sara (VerfasserIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: Cambridge ; London The MIT Press 2022
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Zusammenfassung:Dissertation, University of California, Santa Cruz, 2017
Negative-Hostile Attitudes -- Artists Work their Stasi Files -- The Body in Ruins -- Photographs by Thomas Florschuetz and Performances by the Auto-Perforation Artists -- The Taboo of the Ordinary, The Valor of the Misfit -- Photographs by Gundula Schulze Eldowy and Films by Cornelia Schleime -- Making a Scene -- Films by Gino Hahnemann -- Types, Kinds, and Genres of Art -- The Intermedia I Festival in 1985 -- The Collective Impossible -- Erfurt's Women Artists Group -- DIY Public Sphere -- A Counter-Discourse in the Publication Anschlag and the Gallery EIGEN+ART -- Coda: There is no East German Art without East Germany
"The untold history of experimental art in a late GDR; analyzes photography, performance art, film, publications & galleries as a form of public life that destabilized the State"--
Beschreibung:überarbeitete Fassung der Dissertation der Autorin
Beschreibung:319 Seiten
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ISBN:9780262046633