Rubens in repeat the logic of the copy in colonial Latin America
Introduction: Conformity -- Part 1. The city: Cuzco -- Cuzco's aesthetic of sameness -- Rethinking "Rubens" in the Andes -- Part 2. The cathedral: Mexico City -- Inventors in New Spain -- Metropolitan academicians -- Part 3. The viceroyalty: New Spain and Peru -- The transatlantic the...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Los Angeles
Getty Research Institute
2021
|
| Schlagworte: |
Rubens, Peter Paul / 1577-1640 / Influence
> Art, Latin American / European influences
> Prints, European / Copying
> Art, Colonial / Latin America
> Art, Latin American / 17th century
> Art, Latin American / 18th century
> Rubens, Peter Paul
> Druckgrafik
> Rezeption
> Malerei
> Neuspanien
> Peru
> Geschichte 1600-1800
> Amerika
> Mittelamerika
> Lateinamerika
> Einfluss
|
| Online Zugang: | Inhaltsverzeichnis |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Tag hinzufügen | Zusammenfassung: | Introduction: Conformity -- Part 1. The city: Cuzco -- Cuzco's aesthetic of sameness -- Rethinking "Rubens" in the Andes -- Part 2. The cathedral: Mexico City -- Inventors in New Spain -- Metropolitan academicians -- Part 3. The viceroyalty: New Spain and Peru -- The transatlantic thesis disputation -- Rubens works miracles in New Spain. "This book excavates the unequaled reception of Flemish artist Peter Paul Rubens in Latin America in the form of prints made after his works, arguing that colonial artists in the New World forged new frameworks for artistic creativity by conforming to European printed designs"-- |
|---|---|
| Beschreibung: | vii, 311 Seiten Illustrationen |
| ISBN: | 9781606066867 9781606067253 |