Ecrits sur l'art contemporain et les artistes 6 <<L'>> assassinat de l'expérience par la peinture, monory / Jean-François Lyotard
Lyotard met Jacques Monory in 1972, and the text on him published at that time was the first that Lyotard dedicated to contemporary art since Discourse, Figure. Lyotard's interest in the plastic arts thus fits fully within the setting of his political preoccupations. The artist-protagonist stag...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | UnknownFormat |
| Sprache: | fre |
| Veröffentlicht: |
Leuven
Leuven Univ. Press
2013
|
| Ausgabe: | Éd. franç. |
| Schlagworte: | |
| Online Zugang: | Inhaltsverzeichnis |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Tag hinzufügen | Zusammenfassung: | Lyotard met Jacques Monory in 1972, and the text on him published at that time was the first that Lyotard dedicated to contemporary art since Discourse, Figure. Lyotard's interest in the plastic arts thus fits fully within the setting of his political preoccupations. The artist-protagonist stages the recurring motifs that fascinate Lyotard: the scene of the crime, the revolver, the woman, the victim, glaciers, deserts, stars. The atmosphere of the essays on Monory is "Californian". Monory's imaginary repertoire goes well beyond the masters of modernity and is in line rather with a "modern contemporary surrealism". Both Lyotard and Monory live the "dilemma of Americanisation", the America represented by cinema, fashion, novels, music. It is in this atmosphere that Lyotard and Monory will finally evoke their supreme experience of difference: desire and fear, exultation and a profound malaise. The plastic universe of Monory and the aesthetic meditations of Lyotard are in perfect symbiosis |
|---|---|
| Beschreibung: | 288 S. : Ill., farb. |
| ISBN: | 9789058678812 9058678814 |