Fictional authors, imaginary audiences modern Chinese literature in the twentieth century
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Hong Kong
Chinese University Press
2003
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Tag hinzufügen | Beschreibung: | Publisher description: While modern Chinese fiction does not necessarily constitute a reliable portrait of Chinese life, it can reveal fascinating insights into Chinese writers and their audiences. This book examines poetry, drama, film, and the visual arts, revealing their political and social context. Surrveying the major trends in fiction at the end of the century, the book shows how some writers reinvented themselves as hooligans or pop stars while others reaffirmed their old alliance with the remnants of the cultural establishment. Inhalt: Acknowledgements. Introduction. 1. Fictions, Authors, and Audiences in 20th Century China (S. 1) -- 2. Modern Chinese Literature and Its Critics (S. 17) -- 3. Writing Self: Author/Audience Complicity in Modern Chinese Fiction (S. 45) -- 4. The Importance of Being Earnest in China: Early Chinese Attitudes towards Oscar Wilde (S. 75) -- 5. Self-Narrative as Group Discourse: Female Subjectivity in Wang Anyi's Fiction (S. 95) -- 6. Cross-Dressing in Modern Chinese Fiction, Drama and Film: Reflections on Chen Kaige's Farewell My Concubine (S. 115) -- 7. Disappearing Women and Disappearing Men in May Fourth Narrative: a Post-feminist Survey of Short Stories by Mao Dun, Bing Xin, Ling Shuhua and Shen Congwen (S. 133) -- 8. Breaking Through: Literature and the Arts in China 1976-1986 (S. 171) -- 9. Censorship and Self-Censorship in Chinese Poetry and Fiction, 1976-1986 (S. 205) -- 10. The Anxiety of Out-Fluence: Creativity, History and Postmodernity (S. 225) -- 11. Literary Decorum Or Carnivalistic Grotesque: Literature in the People's Republic of China After Fifty Years (S. 241) -- Index (S. 275). |
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| Beschreibung: | IX, 281 S. 24 cm |
| ISBN: | 962996029X |