China into film frames of reference in contemporary Chinese cinema
Inhalt: 1. Drowning on Dry Land: Yellow Earth and the Traditionalism of the 'Avant-garde'. Yellow Earth -- 2. Ruins of a Sorghum Field, Eclipse of a Nation: Red Sorghum on Page and Screen. Red Sorghum. My Memories of Old Beijing. Sacrificed Youth, Horse Thief, Transmigration/Samasara, Old...
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Format: | UnknownFormat |
Sprache: | eng |
Veröffentlicht: |
London
Reaktion Books
1999
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Schriftenreihe: | Envisioning Asia
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Schlagworte: | |
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Zusammenfassung: | Inhalt: 1. Drowning on Dry Land: Yellow Earth and the Traditionalism of the 'Avant-garde'. Yellow Earth -- 2. Ruins of a Sorghum Field, Eclipse of a Nation: Red Sorghum on Page and Screen. Red Sorghum. My Memories of Old Beijing. Sacrificed Youth, Horse Thief, Transmigration/Samasara, Old Well, The Trouble-Shooters -- 3. A Farewell to Arts: Allegory Goes to the Movies. Farewell My Concubine. The Story of Qiu Ju -- 4. The Veil of Tradition: Victims, Warriors and the Female Analogy. Army Nurse. Woman from the Lake of Scented Souls -- 5. The Force of Labels: Melodrama in the Postmodern Era. Hibiscus Town -- 6. The Children of Melodrama: No-drama, Pseudo-drama, Melodramatic Masquerade and Deconstruction Drama. Black Cannon Incident. The Big Parade, King of the Children. Judou, Raise the Red Lantern. Temptress Moon. |
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Beschreibung: | Zusammenfassung d. Verlags: China into Film is the first book-length study to look at contemporary Chinese cinema as a visual art and to illustrate the many ways in which it has been shaped by centuries of visual and literary tradition. Among Jerome Silbergeld's concerns are the use of allegory, the strategies employed by filmmakers in the face of state censorship, the role of female gender in Chinese cinema, filmmakers' continuing attachment to melodrama as a narrative form, and the influence of both Maoism and post-Maoism Includes bibliographical references (p. 341-347) and index |
Beschreibung: | 351 S. : Ill. Illustrationen 25 cm |
ISBN: | 1861890508 |