Post-postmodernes Schaudern Einrichtungen von Henrike Naumann zwischen Interieur und White Cube
A vast number of post-postmodern cabinet walls and patterned surfaces overlay the modern white cube in Henrike Naumann’s exhibition 2000. Mensch. Natur. Twipsy. , which was installed at the Kunstverein Hannover in 2019. This field of tension between living room and art space is ex- plored in three s...
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| Veröffentlicht in: | Ästhetische Ordnungen und Politiken des Wohnens |
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| Format: | UnknownFormat |
| Sprache: | ger |
| Veröffentlicht: |
2023
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Tag hinzufügen | Zusammenfassung: | A vast number of post-postmodern cabinet walls and patterned surfaces overlay the modern white cube in Henrike Naumann’s exhibition 2000. Mensch. Natur. Twipsy. , which was installed at the Kunstverein Hannover in 2019. This field of tension between living room and art space is ex- plored in three steps. First, a historical excursus recalls the removal of furniture from the emerging white cube in the 1920s. This is followed by an examination of a room in Naumann’s exhibition. Against this back- ground, some critical reflections are formulated on Jacques Rancière’s influential theory of an enduring aesthetic regime of modernity – and its inextricable links between the design of everyday surroundings and art spaces. |
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| Beschreibung: | Illustrationen |
| ISBN: | 978-3-8376-6383-9 |