Christine Corday - works 2001-2022
This monograph covers the past 20 years of New York-based artist Christine Corday's (born 1970) practice. Corday combines her interests in the sciences and fine arts to paint, sculpt, draw and design. Her artistic approach consists of manipulation of matter into different states, producing mass...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Santa Fe, NM
Radius Books
2023
New York, NY D.A.P. |
| Schlagworte: |
Corday, Christine / 1970-
> Corday, Christine
> Sculpture, American / 21st century
> Sculpture, Modern / 21st century
> Site-specific installations (Art) / 21st century
> Women artists / United States
> Sculpture américaine - 21e siècle
> Sculpture - 21e siècle
> Installations in situ (Art) - 21e siècle
> Femmes artistes - États-Unis
> Sculpture, American
> Sculpture, Modern
> Site-specific installations (Art)
> Women artists
> Sculpture américaine / 21e siècle
> Sculpture / 21e siècle
> Installations in situ (Art) / 21e siècle
> Femmes artistes / États-Unis
> Bildband
> Werkverzeichnis
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Tag hinzufügen | Zusammenfassung: | This monograph covers the past 20 years of New York-based artist Christine Corday's (born 1970) practice. Corday combines her interests in the sciences and fine arts to paint, sculpt, draw and design. Her artistic approach consists of manipulation of matter into different states, producing massive sculptures that viewers are meant to experience through touch, leaving memories on the surface of her work. Her public works and solo installations include 'Sans Titre' (2020) a two-pound object installed within a star on earth, Saint-Paul-Lez-Durance, FR; 'GENESES' (2019), a massive sculpture of stainless steel and concrete commissioned by the City of San Francisco for Moscone Center; 'Relative Points' (2019), a twelve-piece installation of monumental compressed cylinders, each 10,000 pounds of iron, elemental metal and metalloid grit at the Contemporary Art Museum St. Louis; 'Protoist Series: Selected Forms' (2015) at Los Angeles County Museum of Art; and UNE (2008) at The High Line, New York City. 0In Spain, Corday formulated a black pigment color later selected by architect Michael Arad as the touch-focused color for the National September 11 Memorial (2011), Ground Zero, which Corday applied by hand through a heated application |
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| Beschreibung: | Abweichender Titelzusatz auf dem Cover: Works 2006 - 2022 (trifft nicht zu) |
| Beschreibung: | 243 Seiten |
| ISBN: | 9781942185512 978-1-942185-51-2 1942185510 1-942185-51-0 |