Avant-garde on record musical responses to stereos
Introduction -- Ping-pong and its discontents -- Doubles, rhymes and groups in stereo -- Transnational multiorchestralism -- The monumental stereo of Son et Lumière -- Phonographic spaces : Circling San Marco, navigating Niagara -- Open works locked into grooves -- Epilogue
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Cambridge, United Kingdom ; New York, USA ; Port Melbourne, Australia ; New Delhi, India ; Singapore
Cambridge University Press
2023
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| Schriftenreihe: | Music since 1900
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| Schlagworte: | |
| Online Zugang: | Inhaltsverzeichnis |
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Tag hinzufügen | Zusammenfassung: | Introduction -- Ping-pong and its discontents -- Doubles, rhymes and groups in stereo -- Transnational multiorchestralism -- The monumental stereo of Son et Lumière -- Phonographic spaces : Circling San Marco, navigating Niagara -- Open works locked into grooves -- Epilogue "Largely focusing on avant-garde composers active in the 1950s and 60s, this book highlights their engagement with records and recording. Combining approaches from music history, cultural studies and sound studies, it shows how contemporary listeners experienced this music through consumer-oriented technology also embraced by popular music creators"-- |
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| Beschreibung: | xv, 317 Seiten Illustrationen, Notenbeispiele 25 cm |
| ISBN: | 9781009363396 978-1-009-36339-6 |