Variations of postmodernism in the painting of Chernivtsi artists
The purpose of the paper is to analyze the development of tendencies of postmodernism in the painting of Chernivtsi in the second half of the 20th – beginning of the 21st century and to identify its features in the works of individual authors. The methodology of the study consist in the use of metho...
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| Veröffentlicht in: | Art: metamorphoses and discourses / Ministry of Culture and Information Policy of Ukraine, National Academy of Culture and Arts Management, Public Organisation "The Best Artist" ; editorial board: Y.V. Telyachyi, I.I. Mischenko, I.O. Solyarska-Komarchuk, S.J. Maksymov |
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
2021
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Tag hinzufügen | Zusammenfassung: | The purpose of the paper is to analyze the development of tendencies of postmodernism in the painting of Chernivtsi in the second half of the 20th – beginning of the 21st century and to identify its features in the works of individual authors. The methodology of the study consist in the use of methods of comparison and generalization, biographical and historical approach, art analysis. The scientific novelty is to reveal the specifics of visual practices of postmodernism in the art of Chernivtsi in general and the variety of manifestations of the latter in the works of artists of different generations. The conclusions. Postmodernism in Chernivtsi painting at the turn of the 20th – beginning of the 21st centuries is represented by a fairly large number of authors and a variety of manifestations, some of which received names that are already used in publications (crypto- realism in the paintings of G. Gorbaty, firstoism in the works of S. Virsta). Perhaps the first of such variations of postmodern art was the painting of P. Hrytsyk in the 1970s and 1980s, which emerged as one of the incarnations of nonconformism. The beginning of the 1990s was a time of active development and liberation of the region's art from the conventions of socialist realism, the change in the socio-political situation in Ukraine in general contributed to that. During this period in Chernivtsi work authors with different artistic tastes, who formed individual approaches to the creation of the world of images in painting. Some of these artists relied on the classical heritage, transforming it and giving a different sound to traditional plots (V. Kovalyuk, A. Prysyazhnyuk), others sought to find mythopoetics in the renewed perception of ancient symbols, the activity of textures and the integrity of color (A. Furlet, G. Gorbaty, S. Kolisnyk), the unexpected reading of ethnic motifs (I. Lysanyuk), the emphasized vitality of the material world (O. Litvinov) or in sphere of formulas (S. Virsta). The majority of the mentioned authors also turned to non-figurative painting, because of the expressiveness of compositional structures and combinations of colors, reproducing 128 Art: metamorphoses and discourses their perceived complexity of the universe and their own emotions (A. Prysyazhnyuk, A. Furlet, G. Gorbaty). It seems natural that the All-Ukrainian Triennial of Abstract Painting "ART-AKT" (2010–2019) has been taking place in Chernivtsi since 2010, and provides an unexpected view on the progress of modern Ukrainian non-figurative. Postmodern painting includes different variations of the embodiment of artists' own conceptual and plastic ideas, which contain not only the experience of previous epochs of artistic development, but also offer an unusual view of human and society. |
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| ISBN: | 978-9934-26-150-3 |