Motion metaphors in music criticism an empirical investigation of their conceptual motivation and their metaphoricity

Dissertation, Universität Leipzig

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Julich-Warpakowski, Nina (VerfasserIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: Amsterdam ; Philadelphia John Benjamins Publishing Company 2022
Schriftenreihe:Metaphor in language, cognition, and communication volume 10
Schlagworte:
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
Beschreibung
Zusammenfassung:Dissertation, Universität Leipzig
"The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study. The results show that while fundamental embodied conceptual metaphors like TIME IS MOTION certainly play a part in explaining why we speak of Western classical music as motion, it is the specific communicative setting of music criticism that determines the particular use of motion metaphors. Furthermore, the perceived metaphoricity of musical motion metaphors varies with participants' musical background: musicians perceive musical motion expressions as more literal compared to non-musicians, showing that there are individual differences in the perception of metaphoricity"
Beschreibung:XII, 247 Seiten
Illustrationen, Diagramme
ISBN:9789027212719
978-90-272-1271-9