Emmy Hennings/Sitara Abuzar Ghaznawi
In the exhibitions held at Cabaret Voltaire and at the Swiss Institute in 2020, Sitara Abuzar Ghaznawi made evocative displays that created space for a deeper engagement with Hennings's life and art. For this publication, she has made new collages, combining found materials and working tools su...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
New York
Swiss Institute
2021
Milan Lenz Zurich Cabaret Voltaire |
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Tag hinzufügen | Zusammenfassung: | In the exhibitions held at Cabaret Voltaire and at the Swiss Institute in 2020, Sitara Abuzar Ghaznawi made evocative displays that created space for a deeper engagement with Hennings's life and art. For this publication, she has made new collages, combining found materials and working tools suck as adhesive strips, supplemented by graphic gestures and subjective indexes such as cigarette butts. By bringing the Hennings archive into dialogue with her own work, Ghaznawi considers the manner in which an individual's multiple identities guide the accumulation of personal experience, be they her own or those of a woman she never met. Commissioned on the occasion of her exhibitions, and published together here for the first time, are texts by Ghaznawi's friends and collaborators Michael Zimmerman, Samuel Lala, Nils Amadeus Lange, Sophia Rohwetter, Der Serpas, Olamiju Fajemisin, Samiran Istifan, Timur Akhmetov and Furqat Palvan-Zade |
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| Beschreibung: | Colophon: "This book is a continuation of the exhibition 'Emmy Hennings/Sitara Abuzar Ghaznawi', which opened at Cabaret Voltaire, Zurich on March 13, 2020, and ran (with pandemic lockdown from March 15 to June 7) through September 22. The exhibition was shown in modified form at Swiss Institute, New York from November 18, 2020 to January 3, 2021" |
| Beschreibung: | 127 Seiten Illustrationen 5 Postkarten |
| ISBN: | 9791280579362 979-12-80579-36-2 |