Simone Martini in Orvieto
Painter to popes, princes, and scions of Renaissance dynasties, Simone Martini (ca. 1284–1344) transformed Western painting with his groundbreaking devotional images and masterful manipulation of gold. This beautifully illustrated book highlights the astonishing novelty of his paintings in terms of...
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Format: | UnknownFormat |
Sprache: | eng |
Veröffentlicht: |
Boston
Isabella Stewart Gardener Museum
2022
New Haven ; London Yale University Press |
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Online Zugang: | Inhaltsverzeichnis |
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Zusammenfassung: | Painter to popes, princes, and scions of Renaissance dynasties, Simone Martini (ca. 1284–1344) transformed Western painting with his groundbreaking devotional images and masterful manipulation of gold. This beautifully illustrated book highlights the astonishing novelty of his paintings in terms of their construction, multimedia techniques, and imagery. A focus of the book—the first on Simone Martini in English in over thirty years—is the work that he produced for churches in the Umbrian city of Orvieto, a papal refuge and stronghold of the Guelph political faction. The publication sheds light on Simone’s early career and technical accomplishments with extended catalogue entries for three Orvieto altarpieces and a painting of private devotion, including the results of new scientific analysis for the Gardner works. Leading scholars consider Simone’s patrons, artistic accomplishments, and contributions to the development of the polyptych altarpiece |
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Beschreibung: | Rückseite Titelblatt: First published to accompany the exhibition 'Metal of Honor: Gold from Simone Martini to Contemporary Art', curated by Nathaniel Silver, William and Lia Poorvu Curator of the Collection and Division Head, at the Isabella Stewart Gardner Museum, Boston, 13 October 2022 - 16 January 2023 |
Beschreibung: | 240 Seiten Illustrationen, Karten |
ISBN: | 9780300262247 978-0-300-26224-7 |