Tsuchi earthy materials in contemporary Japanese art
Postwar silos of tsuchi media. Ceramics : earth flavor in fired clay -- Photography : soil conditions in the lens -- Avant-garde actions : wrestling and digging earthy materials -- Convergence and proliferation since the 1980s. The bubble and its aftermath : containment of spillage and blast -- Eart...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Minneapolis ; London
University of Minnesota Press
2022
|
| Schlagworte: |
Geschichte 1955-2022
> Lehm
> Naturkatastrophe
> Fotografie
> Umweltverschmutzung
> Ästhetik
> Keramik
> Boden
> Installation
> Kunst
> Umweltschaden
> Japan
|
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Tag hinzufügen | Zusammenfassung: | Postwar silos of tsuchi media. Ceramics : earth flavor in fired clay -- Photography : soil conditions in the lens -- Avant-garde actions : wrestling and digging earthy materials -- Convergence and proliferation since the 1980s. The bubble and its aftermath : containment of spillage and blast -- Earth diving before and after the triple disaster -- Epilogue : tsuchi in the contaminated world to come "Bert Winther-Tamaki explores how Japanese artists have continually sought a passionate and redemptive engagement with earth. By focusing on the role of tsuchi (earthy materials such as soil and clay) as a convergence point for a wide range of creative practices, this book offers a critical reassessment of contemporary art in Japan and its intrinsic relationship to the environment"-- |
|---|---|
| Beschreibung: | 306 Seiten, 4 ungezählte Seiten Tafeln Illustrationen 25,3 cm |
| ISBN: | 9781517911911 978-1-5179-1191-1 9781517911904 978-1-5179-1190-4 |